LE MANS BJ29 DRESSAGE- CDI
B29 CDI 05/24 LE MANS - 08/11/2024 - 11/11/2024 DR
2 - CDI3* - Prix SELLERIE WEST CHEVAL - Résultats
10/11/2024 - 13:30 - GP FS
1 - Grand Hall - Nb Engages : 11
E Barbara ARDU
H Olivier SMEETS
C Kurt CHRISTENSEN
M Claudia MATOS
B Marietta ALMASY
Cliquez sur la moyenne pour afficher les notes individuelles
Clt. |
Num. |
Cheval |
Cavalier |
|
% E |
% H |
% C |
% M |
% B |
% Tot. |
1. |
16 |
IRONMAN |
Jonna SCHELSTRAETE |
|
73.025 % (1.) |
74.000 % (1.) |
74.725 % (2.) |
70.225 % (2.) |
77.500 % (1.) |
73.895 %
1320.00 € |
Num |
Figure |
E
73.025
|
H
74.000
|
C
74.725
|
M
70.225
|
B
77.500
|
diff
|
1 |
Collected walk (minimum 20 m) |
7.0 |
7.0 |
8.0 |
6.0 |
6.5 |
2.0 |
2 |
Extended walk (minimum 20 m) |
7.0 |
6.5 |
6.5 |
7.0 |
7.0 |
0.5 |
3 |
Half-pass right (collected trot) |
7.0 |
8.0 |
7.5 |
7.5 |
8.0 |
1.0 |
4 |
Half-pass left (collected trot) |
7.0 |
7.5 |
8.0 |
7.5 |
7.0 |
1.0 |
5 |
Extended trot |
7.5 |
7.0 |
6.5 |
7.0 |
7.0 |
1.0 |
6 |
Half-pass right (collected canter) |
7.0 |
7.5 |
6.5 |
6.0 |
7.5 |
1.5 |
7 |
Half-pass left (collected canter) |
7.0 |
7.0 |
7.0 |
6.5 |
7.0 |
0.5 |
8 |
Extended canter |
7.0 |
7.0 |
7.5 |
7.0 |
8.0 |
1.0 |
9 |
Flying changes every second stride (minimum 5 times consecutively) |
6.0 |
6.5 |
4.5 |
5.0 |
7.5 |
3.0 |
10 |
Flying changes every stride (minimum 9 times consecutively) |
7.0 |
7.0 |
6.5 |
6.5 |
7.5 |
1.0 |
11 |
Canter pirouette right (x2) |
6.5 |
7.5 |
7.0 |
7.0 |
8.0 |
1.5 |
12 |
Canter pirouette left (x2) |
7.0 |
7.5 |
7.5 |
7.0 |
8.5 |
1.5 |
13 |
Passage (minimum 15 m on one track) (x2) |
7.0 |
7.0 |
7.5 |
7.0 |
7.5 |
0.5 |
14 |
Piaffe (minimum 10 steps straight) (x2) |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
15 |
Transitions from passage to piaffe and from piaffe to passage |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
16 |
The entrance and halts at the beginning and the end of the test |
7.0 |
8.0 |
7.0 |
7.5 |
8.0 |
1.0 |
17 |
Rhythm, energy and elasticity (x4) |
7.4 |
7.5 |
7.8 |
7.2 |
8.0 |
0.8 |
18 |
Harmony between rider and horse (x4) |
7.4 |
7.0 |
7.5 |
7.2 |
8.0 |
1.0 |
19 |
Choreography. Use of arena. Inventiveness (x4) |
7.8 |
8.0 |
8.0 |
7.0 |
8.0 |
1.0 |
20 |
Degree of difficulty. Calculated risks (x4) |
7.8 |
7.5 |
8.0 |
7.2 |
8.0 |
0.8 |
21 |
Music and interpretation of the music (x4) |
8.0 |
8.0 |
8.3 |
7.5 |
8.0 |
0.8 |
|
2. |
2 |
GAMIN VAN HET WATERHOF |
Laurens VANDERBEEKEN |
|
71.300 % (2.) |
72.750 % (2.) |
75.425 % (1.) |
70.850 % (1.) |
75.325 % (2.) |
73.130 %
1000.00 € |
Num |
Figure |
E
71.300
|
H
72.750
|
C
75.425
|
M
70.850
|
B
75.325
|
diff
|
1 |
Collected walk (minimum 20 m) |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
2 |
Extended walk (minimum 20 m) |
6.0 |
7.0 |
7.0 |
7.0 |
7.0 |
1.0 |
3 |
Half-pass right (collected trot) |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
4 |
Half-pass left (collected trot) |
7.0 |
7.0 |
6.0 |
6.0 |
7.0 |
1.0 |
5 |
Extended trot |
7.0 |
7.0 |
7.0 |
7.0 |
7.5 |
0.5 |
6 |
Half-pass right (collected canter) |
7.0 |
7.0 |
7.0 |
7.0 |
7.5 |
0.5 |
7 |
Half-pass left (collected canter) |
7.0 |
7.5 |
7.0 |
7.0 |
7.0 |
0.5 |
8 |
Extended canter |
7.0 |
7.5 |
8.0 |
7.5 |
8.0 |
1.0 |
9 |
Flying changes every second stride (minimum 5 times consecutively) |
6.0 |
7.0 |
6.5 |
7.0 |
7.0 |
1.0 |
10 |
Flying changes every stride (minimum 9 times consecutively) |
5.0 |
5.0 |
7.0 |
6.0 |
5.0 |
2.0 |
11 |
Canter pirouette right (x2) |
7.0 |
7.5 |
8.0 |
7.0 |
7.5 |
1.0 |
12 |
Canter pirouette left (x2) |
7.0 |
7.0 |
7.5 |
7.0 |
7.5 |
0.5 |
13 |
Passage (minimum 15 m on one track) (x2) |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
14 |
Piaffe (minimum 10 steps straight) (x2) |
7.0 |
7.0 |
7.5 |
7.0 |
7.0 |
0.5 |
15 |
Transitions from passage to piaffe and from piaffe to passage |
7.0 |
7.0 |
7.5 |
7.0 |
7.0 |
0.5 |
16 |
The entrance and halts at the beginning and the end of the test |
7.0 |
8.0 |
7.5 |
7.5 |
7.5 |
1.0 |
17 |
Rhythm, energy and elasticity (x4) |
7.2 |
7.5 |
7.5 |
7.2 |
7.8 |
0.6 |
18 |
Harmony between rider and horse (x4) |
7.2 |
7.5 |
7.5 |
7.2 |
8.0 |
0.8 |
19 |
Choreography. Use of arena. Inventiveness (x4) |
7.6 |
7.5 |
8.0 |
7.2 |
8.0 |
0.8 |
20 |
Degree of difficulty. Calculated risks (x4) |
7.5 |
7.5 |
7.8 |
7.0 |
8.0 |
1.0 |
21 |
Music and interpretation of the music (x4) |
7.8 |
7.5 |
8.5 |
7.5 |
7.9 |
1.0 |
|
3. |
20 |
GUERLAIN |
Hubert JANKOWSKI |
|
69.300 % (5.) |
70.000 % (7.) |
70.900 % (5.) |
70.150 % (3.) |
74.325 % (3.) |
70.935 %
800.00 € |
Num |
Figure |
E
69.300
|
H
70.000
|
C
70.900
|
M
70.150
|
B
74.325
|
diff
|
1 |
Collected walk (minimum 20 m) |
6.5 |
6.5 |
6.5 |
6.0 |
6.5 |
0.5 |
2 |
Extended walk (minimum 20 m) |
6.0 |
6.5 |
6.5 |
6.0 |
6.5 |
0.5 |
3 |
Half-pass right (collected trot) |
7.0 |
6.5 |
6.0 |
6.0 |
7.0 |
1.0 |
4 |
Half-pass left (collected trot) |
7.0 |
7.0 |
6.5 |
6.5 |
7.0 |
0.5 |
5 |
Extended trot |
7.0 |
7.5 |
7.0 |
7.0 |
7.5 |
0.5 |
6 |
Half-pass right (collected canter) |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
7 |
Half-pass left (collected canter) |
7.0 |
7.0 |
6.5 |
7.0 |
7.0 |
0.5 |
8 |
Extended canter |
7.0 |
7.0 |
6.5 |
7.0 |
7.5 |
1.0 |
9 |
Flying changes every second stride (minimum 5 times consecutively) |
7.0 |
7.0 |
7.0 |
7.0 |
7.5 |
0.5 |
10 |
Flying changes every stride (minimum 9 times consecutively) |
7.0 |
5.0 |
6.0 |
7.0 |
7.0 |
2.0 |
11 |
Canter pirouette right (x2) |
6.5 |
7.0 |
7.5 |
7.0 |
7.5 |
1.0 |
12 |
Canter pirouette left (x2) |
6.5 |
6.5 |
7.0 |
7.0 |
7.0 |
0.5 |
13 |
Passage (minimum 15 m on one track) (x2) |
6.5 |
7.0 |
6.5 |
7.0 |
7.0 |
0.5 |
14 |
Piaffe (minimum 10 steps straight) (x2) |
6.5 |
6.5 |
6.5 |
7.0 |
7.0 |
0.5 |
15 |
Transitions from passage to piaffe and from piaffe to passage |
6.5 |
7.0 |
6.5 |
7.0 |
7.0 |
0.5 |
16 |
The entrance and halts at the beginning and the end of the test |
7.0 |
8.0 |
7.0 |
7.5 |
8.0 |
1.0 |
17 |
Rhythm, energy and elasticity (x4) |
7.0 |
7.0 |
7.3 |
7.0 |
7.7 |
0.7 |
18 |
Harmony between rider and horse (x4) |
7.0 |
7.0 |
7.3 |
7.2 |
7.7 |
0.7 |
19 |
Choreography. Use of arena. Inventiveness (x4) |
7.2 |
7.5 |
7.5 |
7.0 |
7.8 |
0.8 |
20 |
Degree of difficulty. Calculated risks (x4) |
7.2 |
7.0 |
7.5 |
7.2 |
7.6 |
0.6 |
21 |
Music and interpretation of the music (x4) |
7.4 |
7.5 |
7.8 |
7.5 |
7.9 |
0.5 |
|
4. |
13 |
BEL AMOUR |
Alizee ROUSSEL |
|
69.675 % (4.) |
69.125 % (9.) |
71.850 % (4.) |
69.600 % (4.) |
74.150 % (4.) |
70.880 %
600.00 € |
Num |
Figure |
E
69.675
|
H
69.125
|
C
71.850
|
M
69.600
|
B
74.150
|
diff
|
1 |
Collected walk (minimum 20 m) |
7.0 |
6.5 |
7.0 |
6.5 |
7.0 |
0.5 |
2 |
Extended walk (minimum 20 m) |
6.0 |
6.0 |
6.0 |
7.0 |
6.5 |
1.0 |
3 |
Half-pass right (collected trot) |
6.5 |
7.0 |
6.0 |
7.5 |
7.0 |
1.5 |
4 |
Half-pass left (collected trot) |
7.0 |
7.0 |
6.0 |
7.0 |
7.0 |
1.0 |
5 |
Extended trot |
7.0 |
7.0 |
7.0 |
7.5 |
8.0 |
1.0 |
6 |
Half-pass right (collected canter) |
7.0 |
7.0 |
7.0 |
6.5 |
7.0 |
0.5 |
7 |
Half-pass left (collected canter) |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
8 |
Extended canter |
7.0 |
7.0 |
7.0 |
7.0 |
8.0 |
1.0 |
9 |
Flying changes every second stride (minimum 5 times consecutively) |
7.0 |
7.0 |
7.0 |
7.0 |
7.5 |
0.5 |
10 |
Flying changes every stride (minimum 9 times consecutively) |
7.0 |
7.0 |
7.0 |
6.5 |
7.0 |
0.5 |
11 |
Canter pirouette right (x2) |
6.5 |
6.5 |
7.0 |
6.5 |
7.0 |
0.5 |
12 |
Canter pirouette left (x2) |
6.5 |
6.5 |
6.5 |
6.5 |
7.5 |
1.0 |
13 |
Passage (minimum 15 m on one track) (x2) |
7.0 |
6.5 |
7.0 |
6.5 |
7.0 |
0.5 |
14 |
Piaffe (minimum 10 steps straight) (x2) |
6.5 |
6.5 |
6.5 |
6.5 |
7.0 |
0.5 |
15 |
Transitions from passage to piaffe and from piaffe to passage |
7.0 |
6.5 |
6.5 |
7.0 |
7.0 |
0.5 |
16 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.5 |
7.5 |
7.5 |
7.0 |
0.5 |
17 |
Rhythm, energy and elasticity (x4) |
7.0 |
7.0 |
7.3 |
7.2 |
7.7 |
0.7 |
18 |
Harmony between rider and horse (x4) |
7.0 |
7.0 |
7.5 |
7.0 |
7.7 |
0.7 |
19 |
Choreography. Use of arena. Inventiveness (x4) |
7.3 |
7.5 |
8.0 |
7.0 |
7.8 |
1.0 |
20 |
Degree of difficulty. Calculated risks (x4) |
7.2 |
7.0 |
7.5 |
7.2 |
7.5 |
0.5 |
21 |
Music and interpretation of the music (x4) |
7.3 |
7.0 |
7.8 |
7.2 |
7.7 |
0.8 |
|
5. |
12 |
SIRANO DE LUXE |
Mado PINTO |
|
71.050 % (3.) |
70.125 % (6.) |
70.475 % (7.) |
69.325 % (6.) |
72.075 % (6.) |
70.610 %
280.00 € |
Num |
Figure |
E
71.050
|
H
70.125
|
C
70.475
|
M
69.325
|
B
72.075
|
diff
|
1 |
Collected walk (minimum 20 m) |
6.5 |
6.5 |
6.0 |
7.0 |
6.5 |
1.0 |
2 |
Extended walk (minimum 20 m) |
6.0 |
6.0 |
6.0 |
5.5 |
6.0 |
0.5 |
3 |
Half-pass right (collected trot) |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
4 |
Half-pass left (collected trot) |
7.0 |
7.0 |
6.0 |
7.0 |
7.0 |
1.0 |
5 |
Extended trot |
7.0 |
6.5 |
7.0 |
7.0 |
7.0 |
0.5 |
6 |
Half-pass right (collected canter) |
6.5 |
7.0 |
7.0 |
7.0 |
6.5 |
0.5 |
7 |
Half-pass left (collected canter) |
6.5 |
7.0 |
6.5 |
6.5 |
7.5 |
1.0 |
8 |
Extended canter |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
9 |
Flying changes every second stride (minimum 5 times consecutively) |
7.0 |
7.0 |
7.0 |
7.0 |
7.5 |
0.5 |
10 |
Flying changes every stride (minimum 9 times consecutively) |
7.0 |
7.0 |
6.5 |
6.5 |
7.0 |
0.5 |
11 |
Canter pirouette right (x2) |
7.0 |
6.0 |
7.0 |
6.0 |
6.5 |
1.0 |
12 |
Canter pirouette left (x2) |
7.0 |
6.5 |
6.5 |
7.0 |
7.0 |
0.5 |
13 |
Passage (minimum 15 m on one track) (x2) |
7.0 |
7.0 |
6.5 |
7.0 |
7.0 |
0.5 |
14 |
Piaffe (minimum 10 steps straight) (x2) |
7.0 |
6.5 |
7.0 |
6.5 |
6.5 |
0.5 |
15 |
Transitions from passage to piaffe and from piaffe to passage |
6.5 |
7.0 |
6.5 |
6.5 |
7.0 |
0.5 |
16 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.5 |
7.0 |
7.5 |
7.5 |
0.5 |
17 |
Rhythm, energy and elasticity (x4) |
7.0 |
7.0 |
6.8 |
7.2 |
7.2 |
0.4 |
18 |
Harmony between rider and horse (x4) |
7.0 |
7.0 |
7.5 |
7.0 |
7.5 |
0.5 |
19 |
Choreography. Use of arena. Inventiveness (x4) |
7.5 |
7.5 |
7.5 |
7.0 |
7.8 |
0.8 |
20 |
Degree of difficulty. Calculated risks (x4) |
7.5 |
7.5 |
7.5 |
7.2 |
7.5 |
0.3 |
21 |
Music and interpretation of the music (x4) |
7.8 |
7.5 |
7.8 |
7.3 |
7.7 |
0.5 |
|
6. |
17 |
TOP'S GENTLE |
Philip VAN OMMEN |
|
69.075 % (6.) |
69.000 % (11.) |
71.875 % (3.) |
69.450 % (5.) |
71.825 % (7.) |
70.245 %
|
Num |
Figure |
E
69.075
|
H
69.000
|
C
71.875
|
M
69.450
|
B
71.825
|
diff
|
1 |
Collected walk (minimum 20 m) |
6.5 |
5.0 |
6.5 |
6.0 |
7.0 |
2.0 |
2 |
Extended walk (minimum 20 m) |
6.0 |
5.0 |
7.0 |
7.0 |
7.5 |
2.5 |
3 |
Half-pass right (collected trot) |
7.0 |
6.5 |
6.0 |
7.0 |
6.5 |
1.0 |
4 |
Half-pass left (collected trot) |
6.5 |
6.5 |
6.0 |
6.5 |
6.0 |
0.5 |
5 |
Extended trot |
7.0 |
6.5 |
6.5 |
6.5 |
6.5 |
0.5 |
6 |
Half-pass right (collected canter) |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
7 |
Half-pass left (collected canter) |
6.5 |
7.0 |
8.0 |
7.0 |
7.5 |
1.5 |
8 |
Extended canter |
6.5 |
6.5 |
7.0 |
7.0 |
7.0 |
0.5 |
9 |
Flying changes every second stride (minimum 5 times consecutively) |
7.0 |
7.0 |
7.5 |
7.5 |
7.5 |
0.5 |
10 |
Flying changes every stride (minimum 9 times consecutively) |
7.0 |
7.0 |
7.5 |
7.0 |
7.0 |
0.5 |
11 |
Canter pirouette right (x2) |
6.5 |
7.0 |
7.0 |
6.5 |
7.0 |
0.5 |
12 |
Canter pirouette left (x2) |
7.0 |
6.5 |
7.0 |
6.5 |
7.5 |
1.0 |
13 |
Passage (minimum 15 m on one track) (x2) |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
14 |
Piaffe (minimum 10 steps straight) (x2) |
7.0 |
6.5 |
6.5 |
6.5 |
7.0 |
0.5 |
15 |
Transitions from passage to piaffe and from piaffe to passage |
6.5 |
7.0 |
6.5 |
6.5 |
7.0 |
0.5 |
16 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
17 |
Rhythm, energy and elasticity (x4) |
7.0 |
6.5 |
7.2 |
7.0 |
7.2 |
0.7 |
18 |
Harmony between rider and horse (x4) |
7.0 |
7.0 |
7.5 |
7.0 |
7.4 |
0.5 |
19 |
Choreography. Use of arena. Inventiveness (x4) |
7.0 |
7.5 |
7.8 |
7.0 |
7.4 |
0.8 |
20 |
Degree of difficulty. Calculated risks (x4) |
7.0 |
7.5 |
7.2 |
7.2 |
7.3 |
0.5 |
21 |
Music and interpretation of the music (x4) |
7.2 |
7.5 |
7.8 |
7.5 |
7.4 |
0.6 |
|
7. |
11 |
QUERIDA DE HUS |
Caroline GODIN |
|
68.525 % (8.) |
71.375 % (3.) |
69.125 % (9.) |
68.275 % (8.) |
73.075 % (5.) |
70.075 %
|
Num |
Figure |
E
68.525
|
H
71.375
|
C
69.125
|
M
68.275
|
B
73.075
|
diff
|
1 |
Collected walk (minimum 20 m) |
6.5 |
6.5 |
6.0 |
6.0 |
6.0 |
0.5 |
2 |
Extended walk (minimum 20 m) |
6.5 |
6.5 |
6.0 |
7.0 |
7.0 |
1.0 |
3 |
Half-pass right (collected trot) |
7.0 |
6.5 |
6.5 |
6.5 |
7.5 |
1.0 |
4 |
Half-pass left (collected trot) |
6.5 |
6.0 |
6.5 |
6.5 |
7.0 |
1.0 |
5 |
Extended trot |
7.0 |
7.0 |
7.0 |
7.0 |
7.5 |
0.5 |
6 |
Half-pass right (collected canter) |
7.0 |
7.0 |
6.5 |
7.0 |
6.5 |
0.5 |
7 |
Half-pass left (collected canter) |
7.0 |
7.0 |
6.5 |
6.5 |
6.5 |
0.5 |
8 |
Extended canter |
6.5 |
6.5 |
6.0 |
6.5 |
7.0 |
1.0 |
9 |
Flying changes every second stride (minimum 5 times consecutively) |
6.0 |
6.5 |
6.5 |
6.5 |
7.0 |
1.0 |
10 |
Flying changes every stride (minimum 9 times consecutively) |
4.0 |
7.0 |
5.0 |
4.0 |
5.5 |
3.0 |
11 |
Canter pirouette right (x2) |
6.5 |
7.0 |
7.0 |
7.0 |
7.0 |
0.5 |
12 |
Canter pirouette left (x2) |
7.0 |
7.5 |
6.5 |
7.5 |
7.0 |
1.0 |
13 |
Passage (minimum 15 m on one track) (x2) |
6.5 |
7.0 |
6.5 |
6.5 |
7.0 |
0.5 |
14 |
Piaffe (minimum 10 steps straight) (x2) |
6.5 |
7.0 |
6.5 |
6.5 |
7.0 |
0.5 |
15 |
Transitions from passage to piaffe and from piaffe to passage |
6.5 |
6.5 |
6.0 |
6.0 |
6.5 |
0.5 |
16 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.5 |
7.0 |
7.0 |
7.5 |
0.5 |
17 |
Rhythm, energy and elasticity (x4) |
7.2 |
7.0 |
7.0 |
6.9 |
7.4 |
0.5 |
18 |
Harmony between rider and horse (x4) |
6.9 |
7.0 |
7.2 |
7.0 |
7.8 |
0.9 |
19 |
Choreography. Use of arena. Inventiveness (x4) |
7.2 |
7.5 |
7.5 |
7.2 |
7.8 |
0.6 |
20 |
Degree of difficulty. Calculated risks (x4) |
7.2 |
7.0 |
7.5 |
7.0 |
7.8 |
0.8 |
21 |
Music and interpretation of the music (x4) |
7.4 |
8.5 |
7.8 |
7.3 |
7.9 |
1.2 |
|
8. |
24 |
FELLINI DU SOLEIL |
Stephanie BRIEUSSEL |
|
68.175 % (9.) |
70.250 % (5.) |
70.750 % (6.) |
67.475 % (10.) |
69.000 % (10.) |
69.130 %
|
Num |
Figure |
E
68.175
|
H
70.250
|
C
70.750
|
M
67.475
|
B
69.000
|
diff
|
1 |
Collected walk (minimum 20 m) |
6.5 |
6.5 |
6.5 |
6.0 |
6.0 |
0.5 |
2 |
Extended walk (minimum 20 m) |
6.0 |
7.0 |
6.0 |
6.5 |
6.0 |
1.0 |
3 |
Half-pass right (collected trot) |
6.5 |
6.5 |
7.0 |
7.0 |
7.0 |
0.5 |
4 |
Half-pass left (collected trot) |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
5 |
Extended trot |
7.0 |
6.0 |
6.5 |
6.5 |
7.0 |
1.0 |
6 |
Half-pass right (collected canter) |
6.5 |
7.0 |
7.0 |
6.5 |
6.5 |
0.5 |
7 |
Half-pass left (collected canter) |
6.5 |
7.0 |
7.0 |
7.0 |
6.5 |
0.5 |
8 |
Extended canter |
7.0 |
7.0 |
7.5 |
7.0 |
7.0 |
0.5 |
9 |
Flying changes every second stride (minimum 5 times consecutively) |
7.0 |
7.0 |
6.5 |
6.5 |
7.0 |
0.5 |
10 |
Flying changes every stride (minimum 9 times consecutively) |
7.0 |
7.0 |
7.0 |
6.5 |
7.0 |
0.5 |
11 |
Canter pirouette right (x2) |
6.5 |
6.0 |
5.0 |
6.0 |
6.0 |
1.5 |
12 |
Canter pirouette left (x2) |
6.5 |
7.0 |
7.0 |
6.0 |
6.5 |
1.0 |
13 |
Passage (minimum 15 m on one track) (x2) |
6.0 |
7.0 |
6.5 |
6.0 |
6.0 |
1.0 |
14 |
Piaffe (minimum 10 steps straight) (x2) |
6.5 |
7.0 |
7.0 |
6.5 |
7.0 |
0.5 |
15 |
Transitions from passage to piaffe and from piaffe to passage |
6.5 |
7.0 |
7.0 |
7.0 |
6.5 |
0.5 |
16 |
The entrance and halts at the beginning and the end of the test |
7.0 |
8.0 |
7.0 |
7.0 |
7.5 |
1.0 |
17 |
Rhythm, energy and elasticity (x4) |
6.8 |
7.5 |
7.3 |
7.0 |
7.0 |
0.7 |
18 |
Harmony between rider and horse (x4) |
6.9 |
7.0 |
7.2 |
6.8 |
7.0 |
0.4 |
19 |
Choreography. Use of arena. Inventiveness (x4) |
7.2 |
7.5 |
8.0 |
7.0 |
7.4 |
1.0 |
20 |
Degree of difficulty. Calculated risks (x4) |
7.2 |
7.0 |
7.5 |
7.0 |
7.2 |
0.5 |
21 |
Music and interpretation of the music (x4) |
7.2 |
7.0 |
7.5 |
7.3 |
7.4 |
0.5 |
|
9. |
15 |
BRAVE HEART |
Ellen MCCARTHY |
|
68.800 % (7.) |
69.250 % (8.) |
69.050 % (10.) |
67.750 % (9.) |
70.150 % (8.) |
69.000 %
|
Num |
Figure |
E
68.800
|
H
69.250
|
C
69.050
|
M
67.750
|
B
70.150
|
diff
|
1 |
Collected walk (minimum 20 m) |
7.0 |
7.0 |
6.0 |
6.5 |
6.0 |
1.0 |
2 |
Extended walk (minimum 20 m) |
6.0 |
6.0 |
5.0 |
5.5 |
6.0 |
1.0 |
3 |
Half-pass right (collected trot) |
7.0 |
7.5 |
8.0 |
7.5 |
8.0 |
1.0 |
4 |
Half-pass left (collected trot) |
7.0 |
7.0 |
7.0 |
7.0 |
7.5 |
0.5 |
5 |
Extended trot |
7.5 |
7.5 |
7.0 |
6.5 |
8.0 |
1.5 |
6 |
Half-pass right (collected canter) |
7.0 |
7.0 |
7.0 |
6.5 |
7.0 |
0.5 |
7 |
Half-pass left (collected canter) |
7.0 |
7.0 |
7.0 |
6.5 |
7.5 |
1.0 |
8 |
Extended canter |
7.0 |
7.0 |
7.0 |
7.0 |
7.5 |
0.5 |
9 |
Flying changes every second stride (minimum 5 times consecutively) |
7.0 |
6.5 |
6.5 |
7.0 |
6.5 |
0.5 |
10 |
Flying changes every stride (minimum 9 times consecutively) |
7.0 |
7.0 |
7.0 |
7.0 |
7.5 |
0.5 |
11 |
Canter pirouette right (x2) |
4.0 |
4.0 |
4.0 |
5.0 |
4.0 |
1.0 |
12 |
Canter pirouette left (x2) |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
13 |
Passage (minimum 15 m on one track) (x2) |
7.0 |
7.0 |
7.0 |
7.0 |
6.5 |
0.5 |
14 |
Piaffe (minimum 10 steps straight) (x2) |
6.5 |
6.5 |
6.0 |
6.5 |
6.5 |
0.5 |
15 |
Transitions from passage to piaffe and from piaffe to passage |
7.0 |
6.5 |
6.5 |
6.0 |
6.5 |
1.0 |
16 |
The entrance and halts at the beginning and the end of the test |
6.5 |
8.0 |
7.0 |
7.0 |
7.0 |
1.5 |
17 |
Rhythm, energy and elasticity (x4) |
7.0 |
7.0 |
7.3 |
7.0 |
7.0 |
0.3 |
18 |
Harmony between rider and horse (x4) |
7.0 |
7.0 |
7.0 |
6.8 |
7.3 |
0.5 |
19 |
Choreography. Use of arena. Inventiveness (x4) |
7.3 |
7.5 |
7.5 |
7.0 |
7.7 |
0.7 |
20 |
Degree of difficulty. Calculated risks (x4) |
7.2 |
7.0 |
7.5 |
7.0 |
7.4 |
0.5 |
21 |
Music and interpretation of the music (x4) |
7.3 |
7.5 |
7.5 |
7.2 |
7.5 |
0.3 |
|
10. |
6 |
ROMERO DE TRUJILLO |
Teia HERNANDEZ VILA |
|
66.225 % (11.) |
71.125 % (4.) |
69.225 % (8.) |
68.825 % (7.) |
69.575 % (9.) |
68.995 %
|
Num |
Figure |
E
66.225
|
H
71.125
|
C
69.225
|
M
68.825
|
B
69.575
|
diff
|
1 |
Collected walk (minimum 20 m) |
5.0 |
6.5 |
6.0 |
6.5 |
6.0 |
1.5 |
2 |
Extended walk (minimum 20 m) |
5.0 |
6.5 |
5.0 |
5.0 |
5.5 |
1.5 |
3 |
Half-pass right (collected trot) |
7.0 |
7.0 |
6.0 |
7.5 |
7.0 |
1.5 |
4 |
Half-pass left (collected trot) |
6.5 |
7.0 |
6.5 |
6.5 |
6.5 |
0.5 |
5 |
Extended trot |
7.0 |
7.0 |
5.5 |
7.0 |
6.5 |
1.5 |
6 |
Half-pass right (collected canter) |
7.0 |
7.5 |
7.0 |
7.0 |
7.0 |
0.5 |
7 |
Half-pass left (collected canter) |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
8 |
Extended canter |
7.0 |
6.5 |
7.0 |
7.0 |
7.0 |
0.5 |
9 |
Flying changes every second stride (minimum 5 times consecutively) |
4.0 |
6.0 |
4.5 |
5.5 |
7.0 |
3.0 |
10 |
Flying changes every stride (minimum 9 times consecutively) |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
11 |
Canter pirouette right (x2) |
6.5 |
6.5 |
6.5 |
6.5 |
6.5 |
0.0 |
12 |
Canter pirouette left (x2) |
6.0 |
6.5 |
7.0 |
6.5 |
6.5 |
1.0 |
13 |
Passage (minimum 15 m on one track) (x2) |
6.5 |
7.0 |
6.5 |
7.0 |
7.0 |
0.5 |
14 |
Piaffe (minimum 10 steps straight) (x2) |
6.5 |
7.0 |
6.5 |
6.5 |
6.5 |
0.5 |
15 |
Transitions from passage to piaffe and from piaffe to passage |
6.5 |
6.5 |
7.0 |
6.5 |
7.0 |
0.5 |
16 |
The entrance and halts at the beginning and the end of the test |
6.5 |
8.0 |
7.0 |
7.0 |
7.0 |
1.5 |
17 |
Rhythm, energy and elasticity (x4) |
6.8 |
7.0 |
7.0 |
7.2 |
6.7 |
0.5 |
18 |
Harmony between rider and horse (x4) |
6.8 |
7.0 |
7.0 |
7.0 |
7.3 |
0.5 |
19 |
Choreography. Use of arena. Inventiveness (x4) |
7.0 |
8.0 |
7.8 |
7.0 |
7.7 |
1.0 |
20 |
Degree of difficulty. Calculated risks (x4) |
6.8 |
7.5 |
7.5 |
7.2 |
7.0 |
0.7 |
21 |
Music and interpretation of the music (x4) |
7.2 |
7.5 |
7.8 |
7.3 |
7.5 |
0.6 |
|
11. |
7 |
LIDADOR OC |
Antonio LAIZ ZANDIO |
|
67.475 % (10.) |
69.125 % (9.) |
66.550 % (11.) |
65.725 % (11.) |
67.525 % (11.) |
67.280 %
|