LE MANS BJ29 DRESSAGE- CDI
B29 CDI 05/24 LE MANS - 08/11/2024 - 11/11/2024 DR
19 - CDIP - Prix POLE EUROPEEN DU CHEVAL - Résultats
11/11/2024 - 08:30 - P FS
2 - Manège Orange - Nb Engages : 10
H Kurt CHRISTENSEN
C Patricia WOLTERS
B Claudia MATOS
Cliquez sur la moyenne pour afficher les notes individuelles
Clt. |
Num. |
Cheval |
Cavalier |
|
% H |
% C |
% B |
% Tot. |
1. |
406 |
NOTRE PETIT |
Allegra Elisabeth HÜTTIG |
|
71.850 % (1.) |
72.175 % (1.) |
71.250 % (2.) |
71.758 %
|
Num |
Figure |
H
71.850
|
C
72.175
|
B
71.250
|
diff
|
1 |
Collected walk (minimum 20 m) |
5.5 |
5.5 |
5.0 |
0.5 |
2 |
Extended walk (minimum 20 m) (x2) |
5.5 |
5.5 |
5.0 |
0.5 |
3 |
Half pirouette in collected walk to the right and/or to the left |
6.5 |
7.0 |
6.5 |
0.5 |
4 |
Shoulder-in right (collected trot) (minimum 12 m) |
7.5 |
7.0 |
7.0 |
0.5 |
5 |
Shoulder-in left (collected trot) (minimum 12 m) |
7.5 |
7.5 |
7.0 |
0.5 |
6 |
Half-pass right (collected trot) (x2) |
7.5 |
7.0 |
7.0 |
0.5 |
7 |
Half-pass left (collected trot) (x2) |
7.0 |
7.0 |
7.0 |
0.0 |
8 |
Extended trot |
7.5 |
7.5 |
7.0 |
0.5 |
9 |
Counter canter right (minimum 20m) |
7.0 |
8.0 |
7.0 |
1.0 |
10 |
Counter canter left (minimum 20m) |
7.0 |
8.0 |
7.5 |
1.0 |
11 |
Simple change of leg to the right (x2) |
7.5 |
7.0 |
7.5 |
0.5 |
12 |
Simple change of leg to the left (x2) |
7.0 |
8.0 |
7.5 |
1.0 |
13 |
Collected canter including circle 8m diameter to the left and/or right |
7.0 |
8.0 |
7.0 |
1.0 |
14 |
Extended canter |
7.0 |
7.0 |
7.5 |
0.5 |
15 |
The entrance and halts at the beginning and the end of the test |
7.5 |
7.0 |
7.5 |
0.5 |
16 |
Rhythm, energy and elasticity (x4) |
7.3 |
7.3 |
7.5 |
0.2 |
17 |
Harmony between rider and horse (x4) |
7.5 |
7.5 |
7.5 |
0.0 |
18 |
Choreography. Use of arena. Inventiveness (x4) |
7.0 |
7.0 |
7.0 |
0.0 |
19 |
Degree of difficulty. Calculated risks (x4) |
7.3 |
7.5 |
7.5 |
0.2 |
20 |
Music and interpretation of the music (x4) |
8.0 |
7.5 |
7.5 |
0.5 |
|
2. |
402 |
DEN OSTRIK'S MACHO |
Jolien DUIJTS |
|
71.300 % (2.) |
71.125 % (2.) |
71.275 % (1.) |
71.233 %
|
Num |
Figure |
H
71.300
|
C
71.125
|
B
71.275
|
diff
|
1 |
Collected walk (minimum 20 m) |
6.5 |
6.0 |
6.5 |
0.5 |
2 |
Extended walk (minimum 20 m) (x2) |
7.0 |
5.5 |
7.0 |
1.5 |
3 |
Half pirouette in collected walk to the right and/or to the left |
7.0 |
6.5 |
7.0 |
0.5 |
4 |
Shoulder-in right (collected trot) (minimum 12 m) |
6.5 |
6.5 |
7.0 |
0.5 |
5 |
Shoulder-in left (collected trot) (minimum 12 m) |
7.0 |
7.0 |
7.0 |
0.0 |
6 |
Half-pass right (collected trot) (x2) |
7.0 |
7.0 |
7.0 |
0.0 |
7 |
Half-pass left (collected trot) (x2) |
7.0 |
6.5 |
6.5 |
0.5 |
8 |
Extended trot |
6.5 |
7.0 |
7.5 |
1.0 |
9 |
Counter canter right (minimum 20m) |
6.5 |
7.0 |
7.0 |
0.5 |
10 |
Counter canter left (minimum 20m) |
7.0 |
7.0 |
7.0 |
0.0 |
11 |
Simple change of leg to the right (x2) |
7.0 |
7.0 |
6.5 |
0.5 |
12 |
Simple change of leg to the left (x2) |
7.0 |
7.0 |
7.0 |
0.0 |
13 |
Collected canter including circle 8m diameter to the left and/or right |
6.5 |
7.0 |
7.0 |
0.5 |
14 |
Extended canter |
7.5 |
7.5 |
7.0 |
0.5 |
15 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.0 |
6.5 |
0.5 |
16 |
Rhythm, energy and elasticity (x4) |
7.0 |
7.0 |
7.0 |
0.0 |
17 |
Harmony between rider and horse (x4) |
7.3 |
7.5 |
7.2 |
0.3 |
18 |
Choreography. Use of arena. Inventiveness (x4) |
7.5 |
7.5 |
7.5 |
0.0 |
19 |
Degree of difficulty. Calculated risks (x4) |
7.5 |
7.5 |
7.2 |
0.3 |
20 |
Music and interpretation of the music (x4) |
7.5 |
8.0 |
8.0 |
0.5 |
|
3. |
405 |
SHAKIRA |
Felyne BOSCHLOO-KARSIJNS |
|
68.775 % (3.) |
70.075 % (3.) |
69.275 % (4.) |
69.375 %
|
Num |
Figure |
H
68.775
|
C
70.075
|
B
69.275
|
diff
|
1 |
Collected walk (minimum 20 m) |
6.0 |
7.0 |
6.5 |
1.0 |
2 |
Extended walk (minimum 20 m) (x2) |
7.0 |
7.0 |
6.5 |
0.5 |
3 |
Half pirouette in collected walk to the right and/or to the left |
7.0 |
7.0 |
7.0 |
0.0 |
4 |
Shoulder-in right (collected trot) (minimum 12 m) |
6.0 |
6.5 |
7.0 |
1.0 |
5 |
Shoulder-in left (collected trot) (minimum 12 m) |
6.0 |
7.0 |
6.5 |
1.0 |
6 |
Half-pass right (collected trot) (x2) |
6.5 |
6.5 |
6.5 |
0.0 |
7 |
Half-pass left (collected trot) (x2) |
6.5 |
6.5 |
6.5 |
0.0 |
8 |
Extended trot |
6.5 |
7.0 |
6.5 |
0.5 |
9 |
Counter canter right (minimum 20m) |
6.5 |
7.0 |
7.0 |
0.5 |
10 |
Counter canter left (minimum 20m) |
7.0 |
7.0 |
7.0 |
0.0 |
11 |
Simple change of leg to the right (x2) |
6.5 |
7.0 |
6.5 |
0.5 |
12 |
Simple change of leg to the left (x2) |
6.5 |
7.0 |
6.5 |
0.5 |
13 |
Collected canter including circle 8m diameter to the left and/or right |
6.5 |
7.0 |
6.5 |
0.5 |
14 |
Extended canter |
7.0 |
7.0 |
7.0 |
0.0 |
15 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.0 |
7.5 |
0.5 |
16 |
Rhythm, energy and elasticity (x4) |
6.8 |
7.0 |
7.0 |
0.2 |
17 |
Harmony between rider and horse (x4) |
7.0 |
7.2 |
7.0 |
0.2 |
18 |
Choreography. Use of arena. Inventiveness (x4) |
7.3 |
7.3 |
7.2 |
0.1 |
19 |
Degree of difficulty. Calculated risks (x4) |
7.5 |
7.2 |
7.2 |
0.3 |
20 |
Music and interpretation of the music (x4) |
7.3 |
7.0 |
7.5 |
0.5 |
|
4. |
409 |
BREDENHOF'S MIDNIGHT |
Eva CLEMENT |
|
67.975 % (6.) |
69.050 % (4.) |
70.275 % (3.) |
69.100 %
|
Num |
Figure |
H
67.975
|
C
69.050
|
B
70.275
|
diff
|
1 |
Collected walk (minimum 20 m) |
7.0 |
7.0 |
7.0 |
0.0 |
2 |
Extended walk (minimum 20 m) (x2) |
7.0 |
7.0 |
7.0 |
0.0 |
3 |
Half pirouette in collected walk to the right and/or to the left |
7.0 |
6.5 |
6.0 |
1.0 |
4 |
Shoulder-in right (collected trot) (minimum 12 m) |
6.0 |
6.0 |
7.0 |
1.0 |
5 |
Shoulder-in left (collected trot) (minimum 12 m) |
7.0 |
7.0 |
7.0 |
0.0 |
6 |
Half-pass right (collected trot) (x2) |
6.5 |
7.0 |
7.0 |
0.5 |
7 |
Half-pass left (collected trot) (x2) |
6.0 |
5.5 |
6.5 |
1.0 |
8 |
Extended trot |
6.0 |
6.5 |
6.5 |
0.5 |
9 |
Counter canter right (minimum 20m) |
6.5 |
7.0 |
7.0 |
0.5 |
10 |
Counter canter left (minimum 20m) |
6.5 |
7.0 |
7.0 |
0.5 |
11 |
Simple change of leg to the right (x2) |
7.0 |
7.0 |
7.0 |
0.0 |
12 |
Simple change of leg to the left (x2) |
7.0 |
7.0 |
7.0 |
0.0 |
13 |
Collected canter including circle 8m diameter to the left and/or right |
7.0 |
7.5 |
7.0 |
0.5 |
14 |
Extended canter |
6.5 |
7.0 |
7.0 |
0.5 |
15 |
The entrance and halts at the beginning and the end of the test |
7.0 |
6.5 |
7.0 |
0.5 |
16 |
Rhythm, energy and elasticity (x4) |
6.5 |
7.0 |
7.0 |
0.5 |
17 |
Harmony between rider and horse (x4) |
6.8 |
7.3 |
7.0 |
0.5 |
18 |
Choreography. Use of arena. Inventiveness (x4) |
7.3 |
7.0 |
7.2 |
0.3 |
19 |
Degree of difficulty. Calculated risks (x4) |
7.0 |
7.0 |
7.2 |
0.2 |
20 |
Music and interpretation of the music (x4) |
7.0 |
7.0 |
7.5 |
0.5 |
|
5. |
408 |
COGNAC IX |
Lily CAWLEY |
|
68.550 % (5.) |
67.950 % (7.) |
68.425 % (6.) |
68.309 %
|
Num |
Figure |
H
68.550
|
C
67.950
|
B
68.425
|
diff
|
1 |
Collected walk (minimum 20 m) |
6.5 |
6.0 |
7.0 |
1.0 |
2 |
Extended walk (minimum 20 m) (x2) |
7.0 |
7.0 |
7.0 |
0.0 |
3 |
Half pirouette in collected walk to the right and/or to the left |
7.0 |
7.0 |
6.5 |
0.5 |
4 |
Shoulder-in right (collected trot) (minimum 12 m) |
6.5 |
6.5 |
7.0 |
0.5 |
5 |
Shoulder-in left (collected trot) (minimum 12 m) |
7.0 |
6.5 |
7.0 |
0.5 |
6 |
Half-pass right (collected trot) (x2) |
6.5 |
6.5 |
6.0 |
0.5 |
7 |
Half-pass left (collected trot) (x2) |
7.0 |
7.0 |
6.5 |
0.5 |
8 |
Extended trot |
7.0 |
7.5 |
7.5 |
0.5 |
9 |
Counter canter right (minimum 20m) |
6.5 |
6.0 |
6.5 |
0.5 |
10 |
Counter canter left (minimum 20m) |
7.0 |
6.5 |
6.5 |
0.5 |
11 |
Simple change of leg to the right (x2) |
6.0 |
7.0 |
7.0 |
1.0 |
12 |
Simple change of leg to the left (x2) |
7.0 |
7.0 |
7.0 |
0.0 |
13 |
Collected canter including circle 8m diameter to the left and/or right |
6.5 |
6.0 |
6.5 |
0.5 |
14 |
Extended canter |
5.0 |
5.0 |
4.0 |
1.0 |
15 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.0 |
7.0 |
0.0 |
16 |
Rhythm, energy and elasticity (x4) |
7.0 |
6.8 |
7.0 |
0.2 |
17 |
Harmony between rider and horse (x4) |
7.0 |
6.9 |
6.8 |
0.2 |
18 |
Choreography. Use of arena. Inventiveness (x4) |
7.0 |
7.0 |
7.0 |
0.0 |
19 |
Degree of difficulty. Calculated risks (x4) |
7.0 |
7.0 |
7.0 |
0.0 |
20 |
Music and interpretation of the music (x4) |
7.3 |
7.0 |
7.5 |
0.5 |
|
6. |
401 |
DANCING KISS |
Maud GIETHOORN |
|
66.500 % (7.) |
69.050 % (4.) |
68.825 % (5.) |
68.125 %
|
Num |
Figure |
H
66.500
|
C
69.050
|
B
68.825
|
diff
|
1 |
Collected walk (minimum 20 m) |
6.5 |
6.5 |
6.0 |
0.5 |
2 |
Extended walk (minimum 20 m) (x2) |
6.5 |
6.5 |
7.0 |
0.5 |
3 |
Half pirouette in collected walk to the right and/or to the left |
7.0 |
6.0 |
6.5 |
1.0 |
4 |
Shoulder-in right (collected trot) (minimum 12 m) |
6.0 |
6.5 |
6.5 |
0.5 |
5 |
Shoulder-in left (collected trot) (minimum 12 m) |
6.5 |
7.0 |
7.0 |
0.5 |
6 |
Half-pass right (collected trot) (x2) |
6.0 |
6.0 |
7.0 |
1.0 |
7 |
Half-pass left (collected trot) (x2) |
6.0 |
5.5 |
6.5 |
1.0 |
8 |
Extended trot |
6.5 |
7.0 |
6.5 |
0.5 |
9 |
Counter canter right (minimum 20m) |
6.5 |
7.0 |
7.0 |
0.5 |
10 |
Counter canter left (minimum 20m) |
7.0 |
7.0 |
7.0 |
0.0 |
11 |
Simple change of leg to the right (x2) |
7.0 |
7.5 |
6.5 |
1.0 |
12 |
Simple change of leg to the left (x2) |
6.5 |
6.0 |
7.0 |
1.0 |
13 |
Collected canter including circle 8m diameter to the left and/or right |
6.5 |
7.0 |
7.0 |
0.5 |
14 |
Extended canter |
6.5 |
7.0 |
6.5 |
0.5 |
15 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.0 |
6.5 |
0.5 |
16 |
Rhythm, energy and elasticity (x4) |
6.5 |
7.0 |
7.0 |
0.5 |
17 |
Harmony between rider and horse (x4) |
6.5 |
6.8 |
6.9 |
0.4 |
18 |
Choreography. Use of arena. Inventiveness (x4) |
7.0 |
7.5 |
7.0 |
0.5 |
19 |
Degree of difficulty. Calculated risks (x4) |
7.0 |
7.5 |
7.0 |
0.5 |
20 |
Music and interpretation of the music (x4) |
7.0 |
7.5 |
7.3 |
0.5 |
|
7. |
407 |
MOVIE STAR |
Sarah WILLEMSEN |
|
68.775 % (3.) |
69.000 % (6.) |
65.625 % (7.) |
67.800 %
|
Num |
Figure |
H
68.775
|
C
69.000
|
B
65.625
|
diff
|
1 |
Collected walk (minimum 20 m) |
7.0 |
7.0 |
7.0 |
0.0 |
2 |
Extended walk (minimum 20 m) (x2) |
7.0 |
8.0 |
6.0 |
2.0 |
3 |
Half pirouette in collected walk to the right and/or to the left |
7.0 |
7.0 |
6.5 |
0.5 |
4 |
Shoulder-in right (collected trot) (minimum 12 m) |
6.0 |
6.0 |
6.5 |
0.5 |
5 |
Shoulder-in left (collected trot) (minimum 12 m) |
6.5 |
6.5 |
6.5 |
0.0 |
6 |
Half-pass right (collected trot) (x2) |
7.0 |
6.5 |
6.0 |
1.0 |
7 |
Half-pass left (collected trot) (x2) |
6.0 |
6.5 |
6.0 |
0.5 |
8 |
Extended trot |
6.5 |
7.0 |
6.0 |
1.0 |
9 |
Counter canter right (minimum 20m) |
6.5 |
7.0 |
6.0 |
1.0 |
10 |
Counter canter left (minimum 20m) |
6.5 |
6.0 |
6.5 |
0.5 |
11 |
Simple change of leg to the right (x2) |
7.0 |
6.5 |
6.5 |
0.5 |
12 |
Simple change of leg to the left (x2) |
7.0 |
7.0 |
5.5 |
1.5 |
13 |
Collected canter including circle 8m diameter to the left and/or right |
6.5 |
7.0 |
6.5 |
0.5 |
14 |
Extended canter |
7.0 |
7.0 |
6.5 |
0.5 |
15 |
The entrance and halts at the beginning and the end of the test |
6.0 |
6.5 |
6.5 |
0.5 |
16 |
Rhythm, energy and elasticity (x4) |
6.8 |
7.0 |
6.8 |
0.2 |
17 |
Harmony between rider and horse (x4) |
6.8 |
6.5 |
6.5 |
0.3 |
18 |
Choreography. Use of arena. Inventiveness (x4) |
7.3 |
7.5 |
7.0 |
0.5 |
19 |
Degree of difficulty. Calculated risks (x4) |
7.2 |
7.0 |
7.0 |
0.2 |
20 |
Music and interpretation of the music (x4) |
7.3 |
7.0 |
7.2 |
0.3 |
|
8. |
403 |
VINKENHOVE XANDER |
Charlotte PONS |
|
61.500 % (8.) |
60.700 % (9.) |
63.125 % (8.) |
61.775 %
|
Num |
Figure |
H
61.500
|
C
60.700
|
B
63.125
|
diff
|
1 |
Collected walk (minimum 20 m) |
6.5 |
7.0 |
7.5 |
1.0 |
2 |
Extended walk (minimum 20 m) (x2) |
7.0 |
7.0 |
7.5 |
0.5 |
3 |
Half pirouette in collected walk to the right and/or to the left |
6.0 |
4.0 |
6.0 |
2.0 |
4 |
Shoulder-in right (collected trot) (minimum 12 m) |
6.0 |
5.5 |
7.0 |
1.5 |
5 |
Shoulder-in left (collected trot) (minimum 12 m) |
7.0 |
6.5 |
7.0 |
0.5 |
6 |
Half-pass right (collected trot) (x2) |
7.0 |
7.0 |
6.0 |
1.0 |
7 |
Half-pass left (collected trot) (x2) |
6.0 |
5.0 |
6.0 |
1.0 |
8 |
Extended trot |
5.0 |
5.0 |
5.5 |
0.5 |
9 |
Counter canter right (minimum 20m) |
0.0 |
0.0 |
0.0 |
0.0 |
10 |
Counter canter left (minimum 20m) |
7.0 |
7.0 |
6.5 |
0.5 |
11 |
Simple change of leg to the right (x2) |
7.0 |
7.0 |
6.0 |
1.0 |
12 |
Simple change of leg to the left (x2) |
7.0 |
7.0 |
7.0 |
0.0 |
13 |
Collected canter including circle 8m diameter to the left and/or right |
6.5 |
7.0 |
6.5 |
0.5 |
14 |
Extended canter |
5.5 |
5.5 |
6.5 |
1.0 |
15 |
The entrance and halts at the beginning and the end of the test |
6.5 |
6.5 |
7.0 |
0.5 |
16 |
Rhythm, energy and elasticity (x4) |
6.5 |
6.5 |
7.0 |
0.5 |
17 |
Harmony between rider and horse (x4) |
6.0 |
6.2 |
6.5 |
0.5 |
18 |
Choreography. Use of arena. Inventiveness (x4) |
5.5 |
5.5 |
5.5 |
0.0 |
19 |
Degree of difficulty. Calculated risks (x4) |
5.5 |
5.5 |
5.5 |
0.0 |
20 |
Music and interpretation of the music (x4) |
7.0 |
7.0 |
7.5 |
0.5 |
|
9. |
410 |
SUNNY BOY |
Noël ALBERS |
|
61.250 % (9.) |
61.625 % (8.) |
62.375 % (9.) |
61.750 %
|
Num |
Figure |
H
61.250
|
C
61.625
|
B
62.375
|
diff
|
1 |
Collected walk (minimum 20 m) |
6.5 |
7.0 |
7.0 |
0.5 |
2 |
Extended walk (minimum 20 m) (x2) |
7.0 |
6.5 |
7.0 |
0.5 |
3 |
Half pirouette in collected walk to the right and/or to the left |
7.0 |
6.5 |
6.5 |
0.5 |
4 |
Shoulder-in right (collected trot) (minimum 12 m) |
6.5 |
7.0 |
7.0 |
0.5 |
5 |
Shoulder-in left (collected trot) (minimum 12 m) |
6.5 |
6.5 |
6.5 |
0.0 |
6 |
Half-pass right (collected trot) (x2) |
6.0 |
6.5 |
6.5 |
0.5 |
7 |
Half-pass left (collected trot) (x2) |
7.0 |
6.5 |
6.0 |
1.0 |
8 |
Extended trot |
6.5 |
7.0 |
6.5 |
0.5 |
9 |
Counter canter right (minimum 20m) |
4.0 |
4.0 |
0.0 |
4.0 |
10 |
Counter canter left (minimum 20m) |
0.0 |
0.0 |
4.0 |
4.0 |
11 |
Simple change of leg to the right (x2) |
6.5 |
6.5 |
6.5 |
0.0 |
12 |
Simple change of leg to the left (x2) |
6.5 |
6.0 |
7.0 |
1.0 |
13 |
Collected canter including circle 8m diameter to the left and/or right |
6.5 |
7.0 |
6.5 |
0.5 |
14 |
Extended canter |
6.5 |
6.5 |
7.0 |
0.5 |
15 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.0 |
6.5 |
0.5 |
16 |
Rhythm, energy and elasticity (x4) |
6.5 |
6.5 |
7.0 |
0.5 |
17 |
Harmony between rider and horse (x4) |
6.0 |
6.5 |
6.5 |
0.5 |
18 |
Choreography. Use of arena. Inventiveness (x4) |
5.5 |
5.5 |
5.5 |
0.0 |
19 |
Degree of difficulty. Calculated risks (x4) |
5.5 |
5.5 |
5.5 |
0.0 |
20 |
Music and interpretation of the music (x4) |
7.0 |
7.0 |
7.0 |
0.0 |
|
10. |
404 |
GOLDEN SPRING GH |
Emilia VANIERSCHOT |
|
59.125 % (10.) |
58.925 % (10.) |
59.725 % (10.) |
59.259 %
|
Num |
Figure |
H
59.125
|
C
58.925
|
B
59.725
|
diff
|
1 |
Collected walk (minimum 20 m) |
6.5 |
6.0 |
6.0 |
0.5 |
2 |
Extended walk (minimum 20 m) (x2) |
7.0 |
6.0 |
6.5 |
1.0 |
3 |
Half pirouette in collected walk to the right and/or to the left |
6.5 |
5.0 |
6.0 |
1.5 |
4 |
Shoulder-in right (collected trot) (minimum 12 m) |
6.0 |
6.0 |
6.5 |
0.5 |
5 |
Shoulder-in left (collected trot) (minimum 12 m) |
7.0 |
7.0 |
7.0 |
0.0 |
6 |
Half-pass right (collected trot) (x2) |
6.5 |
6.0 |
6.0 |
0.5 |
7 |
Half-pass left (collected trot) (x2) |
6.0 |
6.0 |
6.0 |
0.0 |
8 |
Extended trot |
6.5 |
7.0 |
6.5 |
0.5 |
9 |
Counter canter right (minimum 20m) |
0.0 |
0.0 |
0.0 |
0.0 |
10 |
Counter canter left (minimum 20m) |
0.0 |
0.0 |
0.0 |
0.0 |
11 |
Simple change of leg to the right (x2) |
6.5 |
6.5 |
6.5 |
0.0 |
12 |
Simple change of leg to the left (x2) |
7.0 |
7.0 |
7.0 |
0.0 |
13 |
Collected canter including circle 8m diameter to the left and/or right |
6.5 |
6.5 |
6.5 |
0.0 |
14 |
Extended canter |
7.0 |
7.5 |
7.0 |
0.5 |
15 |
The entrance and halts at the beginning and the end of the test |
6.5 |
6.5 |
7.0 |
0.5 |
16 |
Rhythm, energy and elasticity (x4) |
6.5 |
6.5 |
6.9 |
0.4 |
17 |
Harmony between rider and horse (x4) |
6.0 |
6.8 |
6.5 |
0.8 |
18 |
Choreography. Use of arena. Inventiveness (x4) |
5.0 |
5.0 |
5.0 |
0.0 |
19 |
Degree of difficulty. Calculated risks (x4) |
5.0 |
5.0 |
5.0 |
0.0 |
20 |
Music and interpretation of the music (x4) |
7.0 |
7.0 |
7.2 |
0.2 |
|