| 1. |
211 |
LIVING LEGEND AMR |
Rianne Ashley UBELS |
 |
72.375 % (2.) |
71.825 % (1.) |
72.875 % (3.) |
72.475 % (3.) |
73.850 % (1.) |
72.680 %
|
| Num |
Figure |
E
72.375
|
H
71.825
|
C
72.875
|
M
72.475
|
B
73.850
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
7.0 |
7.5 |
7.5 |
7.0 |
6.5 |
1.0 |
| 2 |
Extended walk (minimum 20 m) (x2) |
6.5 |
7.5 |
7.5 |
7.0 |
8.0 |
1.5 |
| 3 |
Shoulder-in right (collected trot) (minimum 12 m) |
7.0 |
7.0 |
6.0 |
7.0 |
7.0 |
1.0 |
| 4 |
Shoulder-in left (collected trot) (minimum 12 m) |
7.0 |
7.0 |
7.5 |
6.5 |
7.5 |
1.0 |
| 5 |
Half-pass right (collected trot) (x2) |
7.0 |
6.5 |
8.0 |
6.5 |
7.5 |
1.5 |
| 6 |
Half-pass left (collected trot) (x2) |
7.0 |
7.0 |
7.5 |
7.5 |
7.0 |
0.5 |
| 7 |
Extended trot |
7.5 |
7.0 |
8.0 |
7.0 |
8.0 |
1.0 |
| 8 |
Half-pass right (collected canter) |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
| 9 |
Half-pass left (collected canter) |
7.0 |
7.0 |
7.0 |
7.5 |
6.5 |
1.0 |
| 10 |
Extended canter |
7.0 |
7.0 |
7.5 |
6.5 |
7.0 |
1.0 |
| 11 |
Flying changes every third stride (minimum 5 times consecutively) |
7.5 |
7.0 |
7.0 |
7.0 |
7.0 |
0.5 |
| 12 |
Flying changes every second stride (minimum 5 times consecutively) |
7.5 |
7.5 |
7.0 |
7.0 |
7.5 |
0.5 |
| 13 |
Single pirouette in canter right (x2) |
5.0 |
5.0 |
4.0 |
4.5 |
6.5 |
2.5 |
| 14 |
Single pirouette in canter left (x2) |
6.5 |
6.5 |
6.0 |
7.0 |
6.5 |
1.0 |
| 15 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.5 |
7.0 |
8.0 |
8.0 |
1.0 |
| 16 |
Rhythm, energy and elasticity (x4) |
8.0 |
7.5 |
7.5 |
7.5 |
7.4 |
0.6 |
| 17 |
Harmony between rider and horse (x4) |
7.5 |
7.5 |
7.5 |
7.8 |
7.2 |
0.6 |
| 18 |
Choreography. Use of arena. Inventiveness (x4) |
8.0 |
7.5 |
8.0 |
7.8 |
8.0 |
0.5 |
| 19 |
Degree of difficulty. Calculated risks (x4) |
7.5 |
7.4 |
7.5 |
7.5 |
7.5 |
0.1 |
| 20 |
Music and interpretation of the music (x4) |
7.5 |
7.8 |
8.0 |
8.0 |
8.0 |
0.5 |
|
| 2. |
202 |
MISTER PRESIDENT |
Margaux NICOLAY |
 |
72.500 % (1.) |
71.075 % (4.) |
74.625 % (1.) |
74.075 % (1.) |
69.175 % (6.) |
72.290 %
|
| Num |
Figure |
E
72.500
|
H
71.075
|
C
74.625
|
M
74.075
|
B
69.175
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
6.5 |
6.5 |
6.0 |
7.0 |
5.0 |
2.0 |
| 2 |
Extended walk (minimum 20 m) (x2) |
7.0 |
6.5 |
7.5 |
7.0 |
7.5 |
1.0 |
| 3 |
Shoulder-in right (collected trot) (minimum 12 m) |
7.0 |
7.0 |
7.5 |
7.0 |
7.0 |
0.5 |
| 4 |
Shoulder-in left (collected trot) (minimum 12 m) |
7.0 |
7.0 |
7.5 |
6.5 |
7.0 |
1.0 |
| 5 |
Half-pass right (collected trot) (x2) |
7.0 |
7.0 |
7.0 |
7.5 |
7.0 |
0.5 |
| 6 |
Half-pass left (collected trot) (x2) |
7.0 |
6.5 |
7.0 |
7.0 |
6.5 |
0.5 |
| 7 |
Extended trot |
7.0 |
7.0 |
7.5 |
7.0 |
6.5 |
1.0 |
| 8 |
Half-pass right (collected canter) |
7.0 |
7.0 |
6.5 |
7.0 |
6.0 |
1.0 |
| 9 |
Half-pass left (collected canter) |
7.0 |
7.0 |
7.5 |
6.5 |
7.0 |
1.0 |
| 10 |
Extended canter |
7.5 |
7.0 |
7.5 |
7.5 |
7.5 |
0.5 |
| 11 |
Flying changes every third stride (minimum 5 times consecutively) |
7.5 |
7.0 |
7.5 |
6.5 |
7.0 |
1.0 |
| 12 |
Flying changes every second stride (minimum 5 times consecutively) |
7.0 |
7.0 |
6.5 |
7.0 |
6.5 |
0.5 |
| 13 |
Single pirouette in canter right (x2) |
7.0 |
6.5 |
7.0 |
7.5 |
6.0 |
1.5 |
| 14 |
Single pirouette in canter left (x2) |
6.5 |
6.5 |
7.5 |
7.0 |
6.5 |
1.0 |
| 15 |
The entrance and halts at the beginning and the end of the test |
7.5 |
7.0 |
6.5 |
7.5 |
7.0 |
1.0 |
| 16 |
Rhythm, energy and elasticity (x4) |
7.5 |
7.0 |
7.5 |
7.5 |
7.2 |
0.5 |
| 17 |
Harmony between rider and horse (x4) |
7.0 |
7.2 |
7.5 |
7.4 |
7.0 |
0.5 |
| 18 |
Choreography. Use of arena. Inventiveness (x4) |
8.0 |
8.0 |
8.0 |
8.0 |
7.2 |
0.8 |
| 19 |
Degree of difficulty. Calculated risks (x4) |
7.5 |
7.0 |
8.0 |
7.8 |
7.0 |
1.0 |
| 20 |
Music and interpretation of the music (x4) |
7.5 |
8.0 |
8.0 |
8.0 |
7.4 |
0.6 |
|
| 3. |
219 |
LE GRAND AYDEN HB |
Bianca SCHÜTZ |
 |
70.250 % (6.) |
71.800 % (2.) |
74.175 % (2.) |
71.725 % (5.) |
70.850 % (4.) |
71.760 %
|
| Num |
Figure |
E
70.250
|
H
71.800
|
C
74.175
|
M
71.725
|
B
70.850
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
7.0 |
7.0 |
7.0 |
6.5 |
6.5 |
0.5 |
| 2 |
Extended walk (minimum 20 m) (x2) |
6.5 |
6.5 |
6.5 |
7.0 |
7.0 |
0.5 |
| 3 |
Shoulder-in right (collected trot) (minimum 12 m) |
7.0 |
7.0 |
7.5 |
7.0 |
7.5 |
0.5 |
| 4 |
Shoulder-in left (collected trot) (minimum 12 m) |
7.0 |
7.5 |
7.5 |
7.0 |
7.5 |
0.5 |
| 5 |
Half-pass right (collected trot) (x2) |
7.0 |
7.0 |
7.0 |
6.5 |
7.0 |
0.5 |
| 6 |
Half-pass left (collected trot) (x2) |
7.0 |
7.5 |
7.5 |
7.0 |
7.5 |
0.5 |
| 7 |
Extended trot |
7.5 |
7.5 |
7.5 |
7.0 |
8.0 |
1.0 |
| 8 |
Half-pass right (collected canter) |
7.0 |
7.0 |
7.5 |
7.0 |
6.5 |
1.0 |
| 9 |
Half-pass left (collected canter) |
7.0 |
7.0 |
8.0 |
7.0 |
7.0 |
1.0 |
| 10 |
Extended canter |
7.5 |
7.5 |
8.0 |
7.5 |
7.5 |
0.5 |
| 11 |
Flying changes every third stride (minimum 5 times consecutively) |
7.0 |
7.0 |
7.5 |
7.0 |
7.5 |
0.5 |
| 12 |
Flying changes every second stride (minimum 5 times consecutively) |
7.0 |
5.0 |
5.0 |
6.5 |
5.5 |
2.0 |
| 13 |
Single pirouette in canter right (x2) |
6.0 |
6.5 |
7.0 |
6.0 |
7.0 |
1.0 |
| 14 |
Single pirouette in canter left (x2) |
6.5 |
6.5 |
7.5 |
7.0 |
7.0 |
1.0 |
| 15 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.5 |
7.0 |
7.0 |
6.5 |
1.0 |
| 16 |
Rhythm, energy and elasticity (x4) |
7.5 |
7.5 |
7.8 |
7.5 |
7.4 |
0.4 |
| 17 |
Harmony between rider and horse (x4) |
7.0 |
7.5 |
7.3 |
7.5 |
7.2 |
0.5 |
| 18 |
Choreography. Use of arena. Inventiveness (x4) |
7.0 |
7.3 |
7.5 |
7.5 |
7.0 |
0.5 |
| 19 |
Degree of difficulty. Calculated risks (x4) |
7.0 |
7.3 |
7.2 |
7.3 |
6.5 |
0.8 |
| 20 |
Music and interpretation of the music (x4) |
7.5 |
7.7 |
8.5 |
7.8 |
7.5 |
1.0 |
|
| 4. |
210 |
JOHN SCHUFRO RND |
Coco SOFFERS |
 |
69.375 % (7.) |
71.750 % (3.) |
70.550 % (5.) |
72.850 % (2.) |
69.825 % (5.) |
70.870 %
|
| Num |
Figure |
E
69.375
|
H
71.750
|
C
70.550
|
M
72.850
|
B
69.825
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
6.0 |
5.5 |
7.0 |
6.0 |
5.5 |
1.5 |
| 2 |
Extended walk (minimum 20 m) (x2) |
7.0 |
7.5 |
8.0 |
7.0 |
7.5 |
1.0 |
| 3 |
Shoulder-in right (collected trot) (minimum 12 m) |
6.5 |
6.5 |
7.0 |
6.5 |
6.5 |
0.5 |
| 4 |
Shoulder-in left (collected trot) (minimum 12 m) |
6.5 |
7.0 |
7.0 |
7.0 |
6.5 |
0.5 |
| 5 |
Half-pass right (collected trot) (x2) |
6.5 |
7.0 |
6.5 |
7.0 |
6.5 |
0.5 |
| 6 |
Half-pass left (collected trot) (x2) |
6.5 |
6.5 |
6.0 |
6.5 |
7.0 |
1.0 |
| 7 |
Extended trot |
7.5 |
7.5 |
6.5 |
7.0 |
7.5 |
1.0 |
| 8 |
Half-pass right (collected canter) |
7.0 |
7.0 |
7.0 |
7.0 |
6.5 |
0.5 |
| 9 |
Half-pass left (collected canter) |
6.5 |
6.5 |
6.5 |
6.5 |
6.5 |
0.0 |
| 10 |
Extended canter |
7.0 |
7.5 |
7.5 |
7.0 |
7.5 |
0.5 |
| 11 |
Flying changes every third stride (minimum 5 times consecutively) |
7.0 |
7.5 |
7.5 |
7.5 |
8.0 |
1.0 |
| 12 |
Flying changes every second stride (minimum 5 times consecutively) |
7.5 |
7.0 |
7.5 |
8.0 |
7.0 |
1.0 |
| 13 |
Single pirouette in canter right (x2) |
7.0 |
6.0 |
5.5 |
6.5 |
6.0 |
1.5 |
| 14 |
Single pirouette in canter left (x2) |
6.5 |
6.5 |
6.0 |
6.5 |
6.5 |
0.5 |
| 15 |
The entrance and halts at the beginning and the end of the test |
7.0 |
8.0 |
7.5 |
7.5 |
8.0 |
1.0 |
| 16 |
Rhythm, energy and elasticity (x4) |
7.0 |
7.0 |
7.3 |
7.3 |
7.2 |
0.3 |
| 17 |
Harmony between rider and horse (x4) |
7.0 |
7.5 |
7.0 |
7.8 |
6.8 |
1.0 |
| 18 |
Choreography. Use of arena. Inventiveness (x4) |
7.5 |
7.7 |
7.5 |
8.0 |
7.1 |
0.9 |
| 19 |
Degree of difficulty. Calculated risks (x4) |
7.0 |
7.5 |
7.2 |
7.5 |
7.2 |
0.5 |
| 20 |
Music and interpretation of the music (x4) |
7.0 |
7.8 |
7.8 |
8.0 |
7.4 |
1.0 |
|
| 5. |
215 |
QUADRONEUR |
Suphakamol VUNTANADIT |
 |
71.875 % (3.) |
70.250 % (5.) |
72.675 % (4.) |
70.450 % (7.) |
69.050 % (7.) |
70.860 %
|
| Num |
Figure |
E
71.875
|
H
70.250
|
C
72.675
|
M
70.450
|
B
69.050
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
7.0 |
6.5 |
7.0 |
6.0 |
6.0 |
1.0 |
| 2 |
Extended walk (minimum 20 m) (x2) |
6.5 |
6.5 |
7.5 |
6.5 |
7.0 |
1.0 |
| 3 |
Shoulder-in right (collected trot) (minimum 12 m) |
7.0 |
6.5 |
5.0 |
6.0 |
6.5 |
2.0 |
| 4 |
Shoulder-in left (collected trot) (minimum 12 m) |
7.0 |
7.0 |
6.5 |
7.0 |
6.5 |
0.5 |
| 5 |
Half-pass right (collected trot) (x2) |
6.0 |
6.0 |
7.5 |
6.0 |
6.5 |
1.5 |
| 6 |
Half-pass left (collected trot) (x2) |
7.0 |
7.0 |
6.0 |
6.5 |
6.5 |
1.0 |
| 7 |
Extended trot |
7.0 |
7.0 |
7.0 |
7.0 |
8.0 |
1.0 |
| 8 |
Half-pass right (collected canter) |
7.0 |
7.0 |
6.5 |
7.0 |
7.0 |
0.5 |
| 9 |
Half-pass left (collected canter) |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
| 10 |
Extended canter |
5.5 |
5.5 |
5.5 |
5.5 |
6.5 |
1.0 |
| 11 |
Flying changes every third stride (minimum 5 times consecutively) |
7.5 |
7.0 |
6.5 |
7.0 |
6.0 |
1.5 |
| 12 |
Flying changes every second stride (minimum 5 times consecutively) |
7.5 |
7.5 |
8.0 |
7.0 |
7.5 |
1.0 |
| 13 |
Single pirouette in canter right (x2) |
6.5 |
6.5 |
6.5 |
6.5 |
6.5 |
0.0 |
| 14 |
Single pirouette in canter left (x2) |
7.0 |
6.5 |
7.5 |
6.5 |
7.0 |
1.0 |
| 15 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.0 |
6.5 |
7.5 |
7.0 |
1.0 |
| 16 |
Rhythm, energy and elasticity (x4) |
7.5 |
7.0 |
7.3 |
7.3 |
7.2 |
0.5 |
| 17 |
Harmony between rider and horse (x4) |
7.0 |
7.0 |
7.0 |
7.3 |
7.0 |
0.3 |
| 18 |
Choreography. Use of arena. Inventiveness (x4) |
8.0 |
7.7 |
8.0 |
7.8 |
7.0 |
1.0 |
| 19 |
Degree of difficulty. Calculated risks (x4) |
7.5 |
7.3 |
7.5 |
7.5 |
6.8 |
0.7 |
| 20 |
Music and interpretation of the music (x4) |
8.0 |
8.0 |
9.0 |
7.8 |
7.3 |
1.7 |
|
| 6. |
209 |
MIRATIRA VAN DE BAANSE |
Jessica LEIJSER |
 |
70.625 % (5.) |
67.875 % (10.) |
69.775 % (6.) |
71.475 % (6.) |
72.225 % (2.) |
70.395 %
|
| Num |
Figure |
E
70.625
|
H
67.875
|
C
69.775
|
M
71.475
|
B
72.225
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
6.0 |
6.5 |
7.0 |
6.5 |
6.0 |
1.0 |
| 2 |
Extended walk (minimum 20 m) (x2) |
7.0 |
6.5 |
7.0 |
6.5 |
7.0 |
0.5 |
| 3 |
Shoulder-in right (collected trot) (minimum 12 m) |
6.5 |
6.5 |
6.5 |
6.5 |
7.0 |
0.5 |
| 4 |
Shoulder-in left (collected trot) (minimum 12 m) |
7.0 |
6.5 |
7.0 |
6.5 |
7.5 |
1.0 |
| 5 |
Half-pass right (collected trot) (x2) |
7.0 |
7.0 |
6.5 |
7.0 |
7.0 |
0.5 |
| 6 |
Half-pass left (collected trot) (x2) |
7.0 |
6.5 |
6.0 |
6.5 |
7.0 |
1.0 |
| 7 |
Extended trot |
7.0 |
7.0 |
7.5 |
7.0 |
7.5 |
0.5 |
| 8 |
Half-pass right (collected canter) |
7.0 |
7.0 |
6.5 |
7.0 |
7.0 |
0.5 |
| 9 |
Half-pass left (collected canter) |
7.0 |
6.0 |
4.0 |
6.5 |
7.0 |
3.0 |
| 10 |
Extended canter |
7.0 |
7.5 |
7.0 |
7.0 |
8.0 |
1.0 |
| 11 |
Flying changes every third stride (minimum 5 times consecutively) |
7.0 |
7.5 |
8.0 |
7.5 |
7.5 |
1.0 |
| 12 |
Flying changes every second stride (minimum 5 times consecutively) |
6.0 |
5.5 |
5.5 |
5.5 |
6.0 |
0.5 |
| 13 |
Single pirouette in canter right (x2) |
6.5 |
6.0 |
6.5 |
6.5 |
7.0 |
1.0 |
| 14 |
Single pirouette in canter left (x2) |
7.0 |
5.0 |
7.0 |
7.5 |
6.5 |
2.5 |
| 15 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.5 |
6.5 |
7.5 |
8.0 |
1.5 |
| 16 |
Rhythm, energy and elasticity (x4) |
7.5 |
7.0 |
7.5 |
7.5 |
7.5 |
0.5 |
| 17 |
Harmony between rider and horse (x4) |
7.0 |
6.8 |
6.5 |
7.5 |
7.5 |
1.0 |
| 18 |
Choreography. Use of arena. Inventiveness (x4) |
7.5 |
7.5 |
7.3 |
7.5 |
7.2 |
0.3 |
| 19 |
Degree of difficulty. Calculated risks (x4) |
7.0 |
6.7 |
7.3 |
7.3 |
7.2 |
0.6 |
| 20 |
Music and interpretation of the music (x4) |
7.5 |
7.5 |
8.3 |
7.8 |
7.7 |
0.8 |
|
| 7. |
205 |
CARAMBAR DES FEERIES |
Charles JOUSSON |
 |
70.875 % (4.) |
69.525 % (6.) |
69.300 % (8.) |
67.100 % (11.) |
71.400 % (3.) |
69.640 %
|
| Num |
Figure |
E
70.875
|
H
69.525
|
C
69.300
|
M
67.100
|
B
71.400
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
6.5 |
7.0 |
6.0 |
6.5 |
6.5 |
1.0 |
| 2 |
Extended walk (minimum 20 m) (x2) |
7.5 |
7.0 |
7.5 |
7.0 |
8.0 |
1.0 |
| 3 |
Shoulder-in right (collected trot) (minimum 12 m) |
7.0 |
7.0 |
7.5 |
6.5 |
7.0 |
1.0 |
| 4 |
Shoulder-in left (collected trot) (minimum 12 m) |
7.0 |
7.0 |
6.5 |
6.5 |
7.0 |
0.5 |
| 5 |
Half-pass right (collected trot) (x2) |
7.0 |
6.5 |
7.0 |
6.5 |
6.5 |
0.5 |
| 6 |
Half-pass left (collected trot) (x2) |
7.0 |
6.5 |
7.5 |
6.5 |
6.5 |
1.0 |
| 7 |
Extended trot |
7.0 |
7.5 |
7.5 |
7.0 |
7.0 |
0.5 |
| 8 |
Half-pass right (collected canter) |
7.0 |
7.0 |
7.0 |
7.0 |
6.5 |
0.5 |
| 9 |
Half-pass left (collected canter) |
7.0 |
7.0 |
7.0 |
6.0 |
6.5 |
1.0 |
| 10 |
Extended canter |
7.0 |
7.0 |
5.5 |
6.0 |
7.0 |
1.5 |
| 11 |
Flying changes every third stride (minimum 5 times consecutively) |
6.5 |
7.0 |
6.5 |
7.0 |
7.5 |
1.0 |
| 12 |
Flying changes every second stride (minimum 5 times consecutively) |
5.5 |
5.5 |
5.0 |
5.0 |
5.5 |
0.5 |
| 13 |
Single pirouette in canter right (x2) |
6.5 |
6.0 |
6.0 |
5.5 |
7.0 |
1.5 |
| 14 |
Single pirouette in canter left (x2) |
7.0 |
6.0 |
6.5 |
6.5 |
7.0 |
1.0 |
| 15 |
The entrance and halts at the beginning and the end of the test |
7.0 |
6.5 |
6.5 |
6.5 |
7.5 |
1.0 |
| 16 |
Rhythm, energy and elasticity (x4) |
7.5 |
7.2 |
6.7 |
7.0 |
7.3 |
0.8 |
| 17 |
Harmony between rider and horse (x4) |
7.0 |
7.0 |
6.8 |
6.9 |
7.0 |
0.2 |
| 18 |
Choreography. Use of arena. Inventiveness (x4) |
7.5 |
7.4 |
7.5 |
7.2 |
7.5 |
0.3 |
| 19 |
Degree of difficulty. Calculated risks (x4) |
7.0 |
7.0 |
7.0 |
7.0 |
7.5 |
0.5 |
| 20 |
Music and interpretation of the music (x4) |
7.5 |
7.8 |
7.8 |
7.0 |
7.6 |
0.8 |
|
| 8. |
217 |
FURST DANCE DXB |
Natalie Tania Joanna LANKESTER |
 |
69.125 % (8.) |
68.375 % (9.) |
69.425 % (7.) |
68.950 % (9.) |
68.875 % (8.) |
68.950 %
|
| Num |
Figure |
E
69.125
|
H
68.375
|
C
69.425
|
M
68.950
|
B
68.875
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
6.0 |
6.5 |
7.0 |
6.0 |
7.0 |
1.0 |
| 2 |
Extended walk (minimum 20 m) (x2) |
6.5 |
7.0 |
7.5 |
7.0 |
7.0 |
1.0 |
| 3 |
Shoulder-in right (collected trot) (minimum 12 m) |
7.0 |
6.5 |
6.5 |
6.5 |
6.5 |
0.5 |
| 4 |
Shoulder-in left (collected trot) (minimum 12 m) |
6.5 |
7.0 |
7.0 |
7.0 |
7.0 |
0.5 |
| 5 |
Half-pass right (collected trot) (x2) |
7.0 |
6.5 |
7.0 |
6.5 |
6.5 |
0.5 |
| 6 |
Half-pass left (collected trot) (x2) |
7.0 |
7.0 |
7.0 |
7.0 |
6.5 |
0.5 |
| 7 |
Extended trot |
7.0 |
7.0 |
7.0 |
6.5 |
6.5 |
0.5 |
| 8 |
Half-pass right (collected canter) |
7.0 |
7.0 |
7.0 |
7.0 |
7.0 |
0.0 |
| 9 |
Half-pass left (collected canter) |
7.0 |
7.0 |
6.5 |
6.0 |
6.5 |
1.0 |
| 10 |
Extended canter |
7.0 |
7.0 |
7.0 |
6.5 |
7.5 |
1.0 |
| 11 |
Flying changes every third stride (minimum 5 times consecutively) |
6.0 |
6.0 |
6.0 |
6.5 |
6.5 |
0.5 |
| 12 |
Flying changes every second stride (minimum 5 times consecutively) |
7.0 |
7.0 |
6.5 |
7.0 |
7.5 |
1.0 |
| 13 |
Single pirouette in canter right (x2) |
6.5 |
6.0 |
7.0 |
6.0 |
5.0 |
2.0 |
| 14 |
Single pirouette in canter left (x2) |
6.5 |
5.0 |
6.0 |
6.0 |
6.0 |
1.5 |
| 15 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.5 |
7.0 |
7.0 |
7.5 |
0.5 |
| 16 |
Rhythm, energy and elasticity (x4) |
7.0 |
6.8 |
6.5 |
7.2 |
7.3 |
0.8 |
| 17 |
Harmony between rider and horse (x4) |
7.0 |
7.0 |
7.0 |
7.5 |
7.2 |
0.5 |
| 18 |
Choreography. Use of arena. Inventiveness (x4) |
7.0 |
7.4 |
7.0 |
7.0 |
7.1 |
0.4 |
| 19 |
Degree of difficulty. Calculated risks (x4) |
7.0 |
6.8 |
7.0 |
7.0 |
7.1 |
0.3 |
| 20 |
Music and interpretation of the music (x4) |
7.5 |
7.5 |
7.8 |
7.5 |
7.3 |
0.5 |
|
| 9. |
214 |
VAN HOLLI |
Virginia LUNDIN |
 |
69.000 % (9.) |
68.500 % (7.) |
68.525 % (9.) |
72.275 % (4.) |
66.275 % (11.) |
68.915 %
|
| Num |
Figure |
E
69.000
|
H
68.500
|
C
68.525
|
M
72.275
|
B
66.275
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
6.0 |
6.5 |
7.0 |
7.0 |
6.0 |
1.0 |
| 2 |
Extended walk (minimum 20 m) (x2) |
7.0 |
7.0 |
7.5 |
6.5 |
7.0 |
1.0 |
| 3 |
Shoulder-in right (collected trot) (minimum 12 m) |
7.0 |
7.0 |
7.5 |
6.5 |
7.0 |
1.0 |
| 4 |
Shoulder-in left (collected trot) (minimum 12 m) |
6.5 |
6.5 |
7.0 |
7.0 |
7.0 |
0.5 |
| 5 |
Half-pass right (collected trot) (x2) |
7.0 |
6.5 |
6.0 |
6.5 |
7.0 |
1.0 |
| 6 |
Half-pass left (collected trot) (x2) |
7.0 |
7.0 |
6.5 |
7.0 |
7.0 |
0.5 |
| 7 |
Extended trot |
7.0 |
7.0 |
8.0 |
7.0 |
8.0 |
1.0 |
| 8 |
Half-pass right (collected canter) |
7.0 |
7.0 |
7.0 |
7.0 |
6.5 |
0.5 |
| 9 |
Half-pass left (collected canter) |
7.0 |
7.0 |
7.5 |
7.0 |
7.0 |
0.5 |
| 10 |
Extended canter |
7.0 |
7.0 |
7.0 |
7.0 |
7.5 |
0.5 |
| 11 |
Flying changes every third stride (minimum 5 times consecutively) |
7.0 |
7.0 |
6.5 |
7.0 |
7.0 |
0.5 |
| 12 |
Flying changes every second stride (minimum 5 times consecutively) |
6.5 |
6.0 |
6.0 |
6.5 |
5.0 |
1.5 |
| 13 |
Single pirouette in canter right (x2) |
6.0 |
5.0 |
5.0 |
5.5 |
4.0 |
2.0 |
| 14 |
Single pirouette in canter left (x2) |
6.0 |
6.5 |
4.0 |
6.5 |
6.0 |
2.5 |
| 15 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.0 |
7.0 |
7.5 |
6.5 |
1.0 |
| 16 |
Rhythm, energy and elasticity (x4) |
7.5 |
7.0 |
7.3 |
7.5 |
7.0 |
0.5 |
| 17 |
Harmony between rider and horse (x4) |
7.0 |
6.8 |
6.8 |
7.7 |
6.5 |
1.2 |
| 18 |
Choreography. Use of arena. Inventiveness (x4) |
7.0 |
7.4 |
7.5 |
8.0 |
6.7 |
1.3 |
| 19 |
Degree of difficulty. Calculated risks (x4) |
7.0 |
6.8 |
6.8 |
7.7 |
6.5 |
1.2 |
| 20 |
Music and interpretation of the music (x4) |
7.0 |
7.5 |
8.0 |
8.0 |
7.2 |
1.0 |
|
| 10. |
201 |
QUALITY VAN HET BEUKENHOF |
Nick DRIESEN |
 |
67.125 % (11.) |
68.500 % (7.) |
68.325 % (10.) |
67.600 % (10.) |
67.550 % (9.) |
67.820 %
|
| Num |
Figure |
E
67.125
|
H
68.500
|
C
68.325
|
M
67.600
|
B
67.550
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
6.5 |
6.5 |
6.0 |
6.5 |
6.0 |
0.5 |
| 2 |
Extended walk (minimum 20 m) (x2) |
5.0 |
5.0 |
7.0 |
4.5 |
5.0 |
2.5 |
| 3 |
Shoulder-in right (collected trot) (minimum 12 m) |
7.0 |
7.0 |
6.5 |
7.0 |
7.5 |
1.0 |
| 4 |
Shoulder-in left (collected trot) (minimum 12 m) |
6.5 |
7.0 |
6.0 |
6.5 |
7.5 |
1.5 |
| 5 |
Half-pass right (collected trot) (x2) |
7.0 |
7.0 |
5.5 |
6.0 |
6.5 |
1.5 |
| 6 |
Half-pass left (collected trot) (x2) |
7.0 |
7.0 |
7.0 |
6.5 |
7.0 |
0.5 |
| 7 |
Extended trot |
7.0 |
7.0 |
7.0 |
6.5 |
7.0 |
0.5 |
| 8 |
Half-pass right (collected canter) |
6.5 |
7.0 |
6.0 |
6.5 |
6.5 |
1.0 |
| 9 |
Half-pass left (collected canter) |
6.5 |
7.0 |
7.0 |
7.0 |
7.0 |
0.5 |
| 10 |
Extended canter |
7.0 |
7.0 |
7.0 |
6.0 |
7.5 |
1.5 |
| 11 |
Flying changes every third stride (minimum 5 times consecutively) |
7.0 |
7.0 |
7.0 |
7.0 |
5.5 |
1.5 |
| 12 |
Flying changes every second stride (minimum 5 times consecutively) |
6.0 |
6.5 |
6.5 |
6.5 |
7.0 |
1.0 |
| 13 |
Single pirouette in canter right (x2) |
6.5 |
5.5 |
6.0 |
5.5 |
5.0 |
1.5 |
| 14 |
Single pirouette in canter left (x2) |
6.5 |
6.0 |
7.0 |
6.0 |
7.0 |
1.0 |
| 15 |
The entrance and halts at the beginning and the end of the test |
6.5 |
7.0 |
6.5 |
7.5 |
6.5 |
1.0 |
| 16 |
Rhythm, energy and elasticity (x4) |
7.0 |
7.2 |
7.0 |
7.2 |
7.5 |
0.5 |
| 17 |
Harmony between rider and horse (x4) |
6.5 |
6.8 |
6.5 |
7.2 |
7.0 |
0.7 |
| 18 |
Choreography. Use of arena. Inventiveness (x4) |
7.0 |
7.5 |
7.5 |
7.5 |
7.0 |
0.5 |
| 19 |
Degree of difficulty. Calculated risks (x4) |
7.0 |
6.8 |
6.7 |
7.2 |
6.8 |
0.5 |
| 20 |
Music and interpretation of the music (x4) |
7.0 |
7.7 |
8.0 |
7.5 |
7.0 |
1.0 |
|
| 11. |
208 |
FREIXENET 81 |
Ariana DHOND |
 |
65.375 % (12.) |
65.075 % (12.) |
67.625 % (12.) |
70.025 % (8.) |
64.700 % (12.) |
66.560 %
|
| Num |
Figure |
E
65.375
|
H
65.075
|
C
67.625
|
M
70.025
|
B
64.700
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
5.0 |
4.0 |
7.0 |
6.0 |
5.0 |
3.0 |
| 2 |
Extended walk (minimum 20 m) (x2) |
6.0 |
6.0 |
7.0 |
6.5 |
6.0 |
1.0 |
| 3 |
Shoulder-in right (collected trot) (minimum 12 m) |
6.5 |
7.0 |
6.5 |
6.5 |
6.5 |
0.5 |
| 4 |
Shoulder-in left (collected trot) (minimum 12 m) |
6.0 |
6.5 |
6.0 |
6.0 |
6.5 |
0.5 |
| 5 |
Half-pass right (collected trot) (x2) |
7.0 |
6.5 |
6.0 |
6.5 |
6.0 |
1.0 |
| 6 |
Half-pass left (collected trot) (x2) |
6.0 |
6.5 |
7.0 |
6.0 |
6.5 |
1.0 |
| 7 |
Extended trot |
7.0 |
7.0 |
7.0 |
6.5 |
6.5 |
0.5 |
| 8 |
Half-pass right (collected canter) |
6.0 |
5.5 |
6.5 |
7.0 |
6.0 |
1.5 |
| 9 |
Half-pass left (collected canter) |
6.0 |
6.5 |
5.5 |
5.0 |
6.5 |
1.5 |
| 10 |
Extended canter |
7.0 |
7.0 |
7.0 |
7.0 |
6.5 |
0.5 |
| 11 |
Flying changes every third stride (minimum 5 times consecutively) |
7.0 |
7.0 |
7.0 |
7.5 |
7.0 |
0.5 |
| 12 |
Flying changes every second stride (minimum 5 times consecutively) |
7.0 |
7.0 |
7.0 |
7.0 |
7.5 |
0.5 |
| 13 |
Single pirouette in canter right (x2) |
6.5 |
5.5 |
6.0 |
7.0 |
6.5 |
1.5 |
| 14 |
Single pirouette in canter left (x2) |
5.0 |
5.0 |
5.0 |
6.0 |
6.0 |
1.0 |
| 15 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.0 |
7.0 |
8.0 |
8.0 |
1.0 |
| 16 |
Rhythm, energy and elasticity (x4) |
7.0 |
6.7 |
7.0 |
7.3 |
6.5 |
0.8 |
| 17 |
Harmony between rider and horse (x4) |
6.5 |
6.6 |
7.0 |
7.3 |
6.5 |
0.8 |
| 18 |
Choreography. Use of arena. Inventiveness (x4) |
7.0 |
7.0 |
7.0 |
7.5 |
6.5 |
1.0 |
| 19 |
Degree of difficulty. Calculated risks (x4) |
6.5 |
6.6 |
7.0 |
7.3 |
6.0 |
1.3 |
| 20 |
Music and interpretation of the music (x4) |
7.0 |
7.3 |
7.5 |
8.0 |
7.2 |
1.0 |
|
| 12. |
204 |
LEGEND DYNAMITE |
Mikaela SORATIE |
 |
67.375 % (10.) |
66.500 % (11.) |
67.950 % (11.) |
65.925 % (12.) |
63.250 % (13.) |
66.200 %
|
| Num |
Figure |
E
67.375
|
H
66.500
|
C
67.950
|
M
65.925
|
B
63.250
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
5.0 |
6.5 |
6.0 |
6.5 |
6.0 |
1.5 |
| 2 |
Extended walk (minimum 20 m) (x2) |
6.5 |
5.0 |
4.0 |
5.0 |
7.0 |
3.0 |
| 3 |
Shoulder-in right (collected trot) (minimum 12 m) |
6.5 |
6.5 |
6.0 |
6.0 |
6.0 |
0.5 |
| 4 |
Shoulder-in left (collected trot) (minimum 12 m) |
6.5 |
7.0 |
6.5 |
6.0 |
6.5 |
1.0 |
| 5 |
Half-pass right (collected trot) (x2) |
7.0 |
7.0 |
7.5 |
7.0 |
6.5 |
1.0 |
| 6 |
Half-pass left (collected trot) (x2) |
7.0 |
7.0 |
7.0 |
6.0 |
6.5 |
1.0 |
| 7 |
Extended trot |
7.0 |
7.0 |
7.5 |
6.5 |
7.0 |
1.0 |
| 8 |
Half-pass right (collected canter) |
7.0 |
7.0 |
7.5 |
7.0 |
6.0 |
1.5 |
| 9 |
Half-pass left (collected canter) |
7.0 |
7.0 |
7.5 |
7.0 |
6.5 |
1.0 |
| 10 |
Extended canter |
8.0 |
7.5 |
7.5 |
6.5 |
7.5 |
1.5 |
| 11 |
Flying changes every third stride (minimum 5 times consecutively) |
4.5 |
4.5 |
4.5 |
4.5 |
5.5 |
1.0 |
| 12 |
Flying changes every second stride (minimum 5 times consecutively) |
4.0 |
4.0 |
5.0 |
4.0 |
3.0 |
2.0 |
| 13 |
Single pirouette in canter right (x2) |
6.0 |
5.0 |
6.0 |
6.5 |
5.5 |
1.5 |
| 14 |
Single pirouette in canter left (x2) |
7.0 |
7.0 |
7.5 |
6.0 |
6.5 |
1.5 |
| 15 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.0 |
7.0 |
7.5 |
7.0 |
0.5 |
| 16 |
Rhythm, energy and elasticity (x4) |
7.5 |
7.2 |
7.2 |
7.0 |
7.0 |
0.5 |
| 17 |
Harmony between rider and horse (x4) |
6.5 |
6.5 |
6.5 |
6.5 |
6.0 |
0.5 |
| 18 |
Choreography. Use of arena. Inventiveness (x4) |
7.0 |
7.4 |
7.5 |
7.3 |
6.5 |
1.0 |
| 19 |
Degree of difficulty. Calculated risks (x4) |
7.0 |
6.5 |
6.5 |
7.0 |
6.0 |
1.0 |
| 20 |
Music and interpretation of the music (x4) |
7.0 |
7.4 |
8.0 |
7.5 |
6.5 |
1.5 |
|
| 13. |
216 |
LOTUS-S |
Ali Khalfan AL JAHOURI |
 |
64.875 % (13.) |
63.575 % (13.) |
64.050 % (13.) |
64.050 % (13.) |
66.375 % (10.) |
64.585 %
|
| Num |
Figure |
E
64.875
|
H
63.575
|
C
64.050
|
M
64.050
|
B
66.375
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
6.5 |
7.0 |
6.0 |
7.0 |
7.0 |
1.0 |
| 2 |
Extended walk (minimum 20 m) (x2) |
6.5 |
6.0 |
5.0 |
6.0 |
6.5 |
1.5 |
| 3 |
Shoulder-in right (collected trot) (minimum 12 m) |
7.0 |
5.0 |
6.5 |
6.0 |
7.0 |
2.0 |
| 4 |
Shoulder-in left (collected trot) (minimum 12 m) |
6.5 |
6.5 |
6.5 |
5.0 |
6.5 |
1.5 |
| 5 |
Half-pass right (collected trot) (x2) |
7.0 |
7.0 |
6.5 |
6.0 |
6.5 |
1.0 |
| 6 |
Half-pass left (collected trot) (x2) |
7.0 |
6.5 |
6.0 |
6.5 |
7.0 |
1.0 |
| 7 |
Extended trot |
7.0 |
6.5 |
7.0 |
6.5 |
8.0 |
1.5 |
| 8 |
Half-pass right (collected canter) |
7.0 |
7.0 |
7.0 |
7.0 |
6.5 |
0.5 |
| 9 |
Half-pass left (collected canter) |
6.0 |
5.5 |
6.0 |
6.0 |
5.5 |
0.5 |
| 10 |
Extended canter |
6.5 |
7.0 |
6.0 |
6.5 |
7.5 |
1.5 |
| 11 |
Flying changes every third stride (minimum 5 times consecutively) |
7.0 |
7.0 |
6.5 |
6.5 |
7.0 |
0.5 |
| 12 |
Flying changes every second stride (minimum 5 times consecutively) |
5.0 |
7.0 |
5.5 |
5.5 |
5.5 |
2.0 |
| 13 |
Single pirouette in canter right (x2) |
1.0 |
2.0 |
2.0 |
3.0 |
3.0 |
2.0 |
| 14 |
Single pirouette in canter left (x2) |
6.5 |
6.0 |
6.5 |
6.5 |
7.0 |
1.0 |
| 15 |
The entrance and halts at the beginning and the end of the test |
7.0 |
6.0 |
6.0 |
7.0 |
7.0 |
1.0 |
| 16 |
Rhythm, energy and elasticity (x4) |
7.5 |
7.0 |
7.0 |
7.0 |
7.2 |
0.5 |
| 17 |
Harmony between rider and horse (x4) |
6.5 |
6.0 |
6.3 |
6.0 |
6.0 |
0.5 |
| 18 |
Choreography. Use of arena. Inventiveness (x4) |
7.0 |
7.0 |
7.0 |
7.2 |
7.1 |
0.2 |
| 19 |
Degree of difficulty. Calculated risks (x4) |
6.5 |
6.5 |
7.0 |
6.8 |
6.8 |
0.5 |
| 20 |
Music and interpretation of the music (x4) |
7.0 |
7.2 |
8.0 |
7.3 |
7.4 |
1.0 |
|
| 14. |
221 |
DYNAMITE S |
Isabell CHUNG |
 |
|
EL |