CDI - LE MANS BJ29 DRESSAGE
BJ29 CDI 10/25 LE MANS - 16/10/2025 - 19/10/2025 DR
16 - CDIJ - Prix Boulerie Jump - Résultats
19/10/2025 - 12:20 - J FS
2 - Manège Orange - Nb Engages : 9
H Maria COLLIANDER
C Lionel DU TRANOY
B Christine PRIP
Cliquez sur la moyenne pour afficher les notes individuelles
| Clt. |
Num. |
Cheval |
Cavalier |
|
% H |
% C |
% B |
% Tot. |
| 1. |
510 |
FORTE H.R. |
Mariam GURTSKAYA |
 |
71.150 % (1.) |
73.775 % (1.) |
71.225 % (1.) |
72.050 %
|
| Num |
Figure |
H
71.150
|
C
73.775
|
B
71.225
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
7.0 |
7.0 |
7.0 |
0.0 |
| 2 |
Half pirouette in collected walk to the right and/or to the left |
6.0 |
7.0 |
6.0 |
1.0 |
| 3 |
Extended walk (minimum 20 m) |
7.0 |
7.5 |
6.5 |
1.0 |
| 4 |
Collected trot |
7.0 |
7.0 |
7.0 |
0.0 |
| 5 |
Shoulder-in right (collected trot) (minimum 12 m) |
7.0 |
7.0 |
6.5 |
0.5 |
| 6 |
Shoulder-in left (collected trot) (minimum 12 m) |
7.0 |
7.0 |
6.5 |
0.5 |
| 7 |
Half-pass right (collected trot) (x2) |
6.5 |
7.0 |
6.5 |
0.5 |
| 8 |
Half-pass left (collected trot) (x2) |
7.0 |
7.0 |
7.0 |
0.0 |
| 9 |
Extended trot |
7.0 |
7.0 |
7.0 |
0.0 |
| 10 |
Collected canter |
7.0 |
7.5 |
7.0 |
0.5 |
| 11 |
Half-pass right (collected canter) |
7.0 |
7.0 |
7.0 |
0.0 |
| 12 |
Half-pass left (collected canter) |
6.5 |
7.0 |
6.5 |
0.5 |
| 13 |
Flying change to the right (x2) |
7.0 |
7.0 |
7.5 |
0.5 |
| 14 |
Flying change to the left (x2) |
6.5 |
7.0 |
7.0 |
0.5 |
| 15 |
Extended canter |
7.0 |
7.0 |
7.5 |
0.5 |
| 16 |
The entrance and halts at the beginning and the end of the test |
7.5 |
7.5 |
6.0 |
1.5 |
| 17 |
Rhythm, energy and elasticity (x4) |
7.3 |
7.5 |
7.1 |
0.4 |
| 18 |
Harmony between rider and horse (x4) |
7.2 |
7.7 |
7.2 |
0.5 |
| 19 |
Choreography. Use of arena. Inventiveness (x4) |
7.5 |
7.7 |
7.5 |
0.2 |
| 20 |
Degree of difficulty. Calculated risks (x4) |
7.4 |
7.7 |
7.3 |
0.4 |
| 21 |
Music and interpretation of the music (x4) |
7.5 |
7.8 |
8.0 |
0.5 |
|
| 2. |
501 |
MONSERRATE |
Lea PIRLOT |
 |
69.900 % (2.) |
72.125 % (2.) |
70.825 % (2.) |
70.950 %
|
| Num |
Figure |
H
69.900
|
C
72.125
|
B
70.825
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
6.5 |
7.5 |
7.0 |
1.0 |
| 2 |
Half pirouette in collected walk to the right and/or to the left |
6.5 |
6.5 |
6.5 |
0.0 |
| 3 |
Extended walk (minimum 20 m) |
7.5 |
7.5 |
7.5 |
0.0 |
| 4 |
Collected trot |
7.0 |
7.0 |
7.0 |
0.0 |
| 5 |
Shoulder-in right (collected trot) (minimum 12 m) |
7.0 |
7.0 |
7.0 |
0.0 |
| 6 |
Shoulder-in left (collected trot) (minimum 12 m) |
6.5 |
7.0 |
6.5 |
0.5 |
| 7 |
Half-pass right (collected trot) (x2) |
7.0 |
6.5 |
6.5 |
0.5 |
| 8 |
Half-pass left (collected trot) (x2) |
7.0 |
7.0 |
6.5 |
0.5 |
| 9 |
Extended trot |
7.0 |
7.0 |
7.0 |
0.0 |
| 10 |
Collected canter |
6.5 |
7.0 |
7.0 |
0.5 |
| 11 |
Half-pass right (collected canter) |
6.5 |
6.5 |
7.0 |
0.5 |
| 12 |
Half-pass left (collected canter) |
6.5 |
6.5 |
7.0 |
0.5 |
| 13 |
Flying change to the right (x2) |
6.5 |
7.0 |
6.5 |
0.5 |
| 14 |
Flying change to the left (x2) |
6.5 |
7.0 |
7.0 |
0.5 |
| 15 |
Extended canter |
7.0 |
7.0 |
7.0 |
0.0 |
| 16 |
The entrance and halts at the beginning and the end of the test |
7.5 |
7.0 |
7.0 |
0.5 |
| 17 |
Rhythm, energy and elasticity (x4) |
7.0 |
7.5 |
7.2 |
0.5 |
| 18 |
Harmony between rider and horse (x4) |
7.0 |
7.2 |
7.1 |
0.2 |
| 19 |
Choreography. Use of arena. Inventiveness (x4) |
7.3 |
7.5 |
7.4 |
0.2 |
| 20 |
Degree of difficulty. Calculated risks (x4) |
7.3 |
7.5 |
7.3 |
0.2 |
| 21 |
Music and interpretation of the music (x4) |
7.3 |
7.8 |
7.7 |
0.5 |
|
| 3. |
512 |
TURMALIN |
Sanne GLISSENAAR |
 |
69.425 % (3.) |
69.375 % (3.) |
68.850 % (5.) |
69.217 %
|
| Num |
Figure |
H
69.425
|
C
69.375
|
B
68.850
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
6.5 |
6.5 |
6.5 |
0.0 |
| 2 |
Half pirouette in collected walk to the right and/or to the left |
7.0 |
7.0 |
7.0 |
0.0 |
| 3 |
Extended walk (minimum 20 m) |
6.0 |
6.5 |
6.5 |
0.5 |
| 4 |
Collected trot |
7.0 |
7.0 |
6.5 |
0.5 |
| 5 |
Shoulder-in right (collected trot) (minimum 12 m) |
6.5 |
6.5 |
6.0 |
0.5 |
| 6 |
Shoulder-in left (collected trot) (minimum 12 m) |
7.0 |
7.0 |
7.0 |
0.0 |
| 7 |
Half-pass right (collected trot) (x2) |
7.0 |
6.5 |
6.5 |
0.5 |
| 8 |
Half-pass left (collected trot) (x2) |
7.0 |
7.0 |
6.5 |
0.5 |
| 9 |
Extended trot |
7.0 |
7.0 |
7.0 |
0.0 |
| 10 |
Collected canter |
6.5 |
6.5 |
7.0 |
0.5 |
| 11 |
Half-pass right (collected canter) |
7.0 |
7.0 |
7.0 |
0.0 |
| 12 |
Half-pass left (collected canter) |
6.5 |
7.0 |
7.0 |
0.5 |
| 13 |
Flying change to the right (x2) |
6.5 |
6.5 |
6.5 |
0.0 |
| 14 |
Flying change to the left (x2) |
5.0 |
5.0 |
6.0 |
1.0 |
| 15 |
Extended canter |
7.0 |
6.5 |
7.0 |
0.5 |
| 16 |
The entrance and halts at the beginning and the end of the test |
7.5 |
7.0 |
7.5 |
0.5 |
| 17 |
Rhythm, energy and elasticity (x4) |
7.2 |
7.2 |
7.0 |
0.2 |
| 18 |
Harmony between rider and horse (x4) |
7.0 |
7.0 |
6.8 |
0.2 |
| 19 |
Choreography. Use of arena. Inventiveness (x4) |
7.5 |
7.5 |
7.2 |
0.3 |
| 20 |
Degree of difficulty. Calculated risks (x4) |
7.0 |
7.2 |
7.1 |
0.2 |
| 21 |
Music and interpretation of the music (x4) |
7.6 |
7.6 |
7.5 |
0.1 |
|
| 4. |
508 |
DAMON'S DAN FARRINGTON |
Lily CAWLEY |
 |
68.225 % (4.) |
67.900 % (4.) |
69.850 % (3.) |
68.658 %
|
| Num |
Figure |
H
68.225
|
C
67.900
|
B
69.850
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
7.0 |
6.5 |
6.5 |
0.5 |
| 2 |
Half pirouette in collected walk to the right and/or to the left |
6.5 |
7.0 |
7.0 |
0.5 |
| 3 |
Extended walk (minimum 20 m) |
6.5 |
6.5 |
6.0 |
0.5 |
| 4 |
Collected trot |
6.5 |
7.0 |
7.0 |
0.5 |
| 5 |
Shoulder-in right (collected trot) (minimum 12 m) |
7.0 |
6.5 |
6.5 |
0.5 |
| 6 |
Shoulder-in left (collected trot) (minimum 12 m) |
6.5 |
6.5 |
7.0 |
0.5 |
| 7 |
Half-pass right (collected trot) (x2) |
6.5 |
7.0 |
7.0 |
0.5 |
| 8 |
Half-pass left (collected trot) (x2) |
6.5 |
6.5 |
7.0 |
0.5 |
| 9 |
Extended trot |
6.5 |
6.5 |
7.0 |
0.5 |
| 10 |
Collected canter |
7.0 |
6.5 |
7.0 |
0.5 |
| 11 |
Half-pass right (collected canter) |
6.5 |
6.5 |
6.5 |
0.0 |
| 12 |
Half-pass left (collected canter) |
7.0 |
7.0 |
7.0 |
0.0 |
| 13 |
Flying change to the right (x2) |
7.0 |
5.5 |
6.5 |
1.5 |
| 14 |
Flying change to the left (x2) |
7.0 |
6.5 |
7.0 |
0.5 |
| 15 |
Extended canter |
6.5 |
5.5 |
6.0 |
1.0 |
| 16 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.0 |
6.5 |
0.5 |
| 17 |
Rhythm, energy and elasticity (x4) |
7.0 |
7.2 |
7.2 |
0.2 |
| 18 |
Harmony between rider and horse (x4) |
7.0 |
6.8 |
7.0 |
0.2 |
| 19 |
Choreography. Use of arena. Inventiveness (x4) |
6.8 |
7.2 |
7.2 |
0.4 |
| 20 |
Degree of difficulty. Calculated risks (x4) |
6.8 |
7.0 |
7.2 |
0.4 |
| 21 |
Music and interpretation of the music (x4) |
7.0 |
7.2 |
7.5 |
0.5 |
|
| 5. |
505 |
VAIANA |
Adriana Sofia NAVARRO SANCHEZ |
 |
68.075 % (5.) |
67.350 % (6.) |
69.700 % (4.) |
68.375 %
|
| Num |
Figure |
H
68.075
|
C
67.350
|
B
69.700
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
6.0 |
6.0 |
6.0 |
0.0 |
| 2 |
Half pirouette in collected walk to the right and/or to the left |
6.5 |
5.5 |
6.5 |
1.0 |
| 3 |
Extended walk (minimum 20 m) |
6.0 |
6.0 |
6.0 |
0.0 |
| 4 |
Collected trot |
7.0 |
6.5 |
7.0 |
0.5 |
| 5 |
Shoulder-in right (collected trot) (minimum 12 m) |
7.0 |
7.0 |
7.0 |
0.0 |
| 6 |
Shoulder-in left (collected trot) (minimum 12 m) |
7.0 |
6.5 |
6.5 |
0.5 |
| 7 |
Half-pass right (collected trot) (x2) |
6.5 |
6.5 |
6.5 |
0.0 |
| 8 |
Half-pass left (collected trot) (x2) |
6.5 |
6.5 |
6.0 |
0.5 |
| 9 |
Extended trot |
7.0 |
6.5 |
7.0 |
0.5 |
| 10 |
Collected canter |
6.5 |
6.5 |
7.0 |
0.5 |
| 11 |
Half-pass right (collected canter) |
6.0 |
6.5 |
6.5 |
0.5 |
| 12 |
Half-pass left (collected canter) |
6.5 |
6.5 |
7.0 |
0.5 |
| 13 |
Flying change to the right (x2) |
7.0 |
6.5 |
7.0 |
0.5 |
| 14 |
Flying change to the left (x2) |
7.0 |
6.5 |
7.0 |
0.5 |
| 15 |
Extended canter |
7.0 |
6.5 |
7.5 |
1.0 |
| 16 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.0 |
7.0 |
0.0 |
| 17 |
Rhythm, energy and elasticity (x4) |
6.9 |
7.0 |
7.0 |
0.1 |
| 18 |
Harmony between rider and horse (x4) |
6.8 |
6.6 |
7.0 |
0.4 |
| 19 |
Choreography. Use of arena. Inventiveness (x4) |
7.0 |
7.0 |
7.4 |
0.4 |
| 20 |
Degree of difficulty. Calculated risks (x4) |
7.0 |
7.0 |
7.3 |
0.3 |
| 21 |
Music and interpretation of the music (x4) |
7.0 |
7.5 |
7.5 |
0.5 |
|
| 6. |
509 |
REMBRANDT GSH |
Penelope SMITH |
 |
65.475 % (7.) |
67.750 % (5.) |
67.200 % (6.) |
66.809 %
|
| Num |
Figure |
H
65.475
|
C
67.750
|
B
67.200
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
6.5 |
6.5 |
7.0 |
0.5 |
| 2 |
Half pirouette in collected walk to the right and/or to the left |
6.0 |
6.5 |
6.0 |
0.5 |
| 3 |
Extended walk (minimum 20 m) |
7.0 |
7.0 |
8.0 |
1.0 |
| 4 |
Collected trot |
6.5 |
6.5 |
7.0 |
0.5 |
| 5 |
Shoulder-in right (collected trot) (minimum 12 m) |
6.5 |
6.5 |
7.0 |
0.5 |
| 6 |
Shoulder-in left (collected trot) (minimum 12 m) |
6.0 |
6.5 |
6.5 |
0.5 |
| 7 |
Half-pass right (collected trot) (x2) |
6.5 |
6.5 |
6.5 |
0.0 |
| 8 |
Half-pass left (collected trot) (x2) |
6.0 |
6.5 |
6.5 |
0.5 |
| 9 |
Extended trot |
6.5 |
7.0 |
7.5 |
1.0 |
| 10 |
Collected canter |
6.0 |
6.5 |
6.5 |
0.5 |
| 11 |
Half-pass right (collected canter) |
6.5 |
6.5 |
6.5 |
0.0 |
| 12 |
Half-pass left (collected canter) |
6.5 |
7.0 |
7.0 |
0.5 |
| 13 |
Flying change to the right (x2) |
6.0 |
5.0 |
4.5 |
1.5 |
| 14 |
Flying change to the left (x2) |
6.5 |
6.5 |
6.0 |
0.5 |
| 15 |
Extended canter |
6.5 |
6.5 |
6.5 |
0.0 |
| 16 |
The entrance and halts at the beginning and the end of the test |
7.0 |
7.0 |
7.5 |
0.5 |
| 17 |
Rhythm, energy and elasticity (x4) |
6.5 |
7.0 |
7.1 |
0.6 |
| 18 |
Harmony between rider and horse (x4) |
6.4 |
6.8 |
6.8 |
0.4 |
| 19 |
Choreography. Use of arena. Inventiveness (x4) |
7.0 |
7.2 |
7.0 |
0.2 |
| 20 |
Degree of difficulty. Calculated risks (x4) |
6.7 |
7.0 |
6.8 |
0.3 |
| 21 |
Music and interpretation of the music (x4) |
7.0 |
7.5 |
7.0 |
0.5 |
|
| 7. |
504 |
BISILIA STAR |
Naia GOROSTIZA CORTABITARTE |
 |
66.100 % (6.) |
67.075 % (7.) |
66.875 % (7.) |
66.683 %
|
| Num |
Figure |
H
66.100
|
C
67.075
|
B
66.875
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
6.5 |
6.0 |
6.5 |
0.5 |
| 2 |
Half pirouette in collected walk to the right and/or to the left |
5.5 |
5.5 |
6.0 |
0.5 |
| 3 |
Extended walk (minimum 20 m) |
6.0 |
6.0 |
6.0 |
0.0 |
| 4 |
Collected trot |
6.5 |
6.5 |
7.0 |
0.5 |
| 5 |
Shoulder-in right (collected trot) (minimum 12 m) |
4.0 |
4.0 |
4.0 |
0.0 |
| 6 |
Shoulder-in left (collected trot) (minimum 12 m) |
6.0 |
7.0 |
6.5 |
1.0 |
| 7 |
Half-pass right (collected trot) (x2) |
6.5 |
6.5 |
7.0 |
0.5 |
| 8 |
Half-pass left (collected trot) (x2) |
6.5 |
7.0 |
6.5 |
0.5 |
| 9 |
Extended trot |
6.0 |
6.0 |
6.5 |
0.5 |
| 10 |
Collected canter |
6.5 |
6.5 |
6.5 |
0.0 |
| 11 |
Half-pass right (collected canter) |
6.0 |
6.0 |
6.5 |
0.5 |
| 12 |
Half-pass left (collected canter) |
6.5 |
6.5 |
6.5 |
0.0 |
| 13 |
Flying change to the right (x2) |
7.0 |
7.0 |
7.0 |
0.0 |
| 14 |
Flying change to the left (x2) |
6.5 |
6.5 |
7.0 |
0.5 |
| 15 |
Extended canter |
7.0 |
7.0 |
6.5 |
0.5 |
| 16 |
The entrance and halts at the beginning and the end of the test |
6.5 |
6.5 |
6.0 |
0.5 |
| 17 |
Rhythm, energy and elasticity (x4) |
6.7 |
7.0 |
6.8 |
0.3 |
| 18 |
Harmony between rider and horse (x4) |
6.7 |
7.0 |
6.7 |
0.3 |
| 19 |
Choreography. Use of arena. Inventiveness (x4) |
7.2 |
7.0 |
7.0 |
0.2 |
| 20 |
Degree of difficulty. Calculated risks (x4) |
7.0 |
7.0 |
7.0 |
0.0 |
| 21 |
Music and interpretation of the music (x4) |
7.0 |
7.2 |
7.0 |
0.2 |
|
| 8. |
507 |
BALLERINA |
Ambre MOUTON |
 |
63.950 % (8.) |
65.750 % (8.) |
63.225 % (8.) |
64.309 %
|
| Num |
Figure |
H
63.950
|
C
65.750
|
B
63.225
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
6.5 |
7.0 |
6.5 |
0.5 |
| 2 |
Half pirouette in collected walk to the right and/or to the left |
5.5 |
6.5 |
5.5 |
1.0 |
| 3 |
Extended walk (minimum 20 m) |
6.5 |
6.5 |
7.0 |
0.5 |
| 4 |
Collected trot |
6.5 |
6.5 |
6.0 |
0.5 |
| 5 |
Shoulder-in right (collected trot) (minimum 12 m) |
6.5 |
6.5 |
6.0 |
0.5 |
| 6 |
Shoulder-in left (collected trot) (minimum 12 m) |
6.5 |
6.0 |
6.0 |
0.5 |
| 7 |
Half-pass right (collected trot) (x2) |
6.0 |
6.0 |
6.5 |
0.5 |
| 8 |
Half-pass left (collected trot) (x2) |
6.5 |
6.5 |
6.0 |
0.5 |
| 9 |
Extended trot |
6.5 |
6.5 |
6.0 |
0.5 |
| 10 |
Collected canter |
6.0 |
6.5 |
6.5 |
0.5 |
| 11 |
Half-pass right (collected canter) |
6.5 |
6.5 |
6.5 |
0.0 |
| 12 |
Half-pass left (collected canter) |
6.5 |
6.5 |
6.5 |
0.0 |
| 13 |
Flying change to the right (x2) |
7.0 |
6.5 |
7.0 |
0.5 |
| 14 |
Flying change to the left (x2) |
6.0 |
5.5 |
5.5 |
0.5 |
| 15 |
Extended canter |
4.0 |
4.0 |
2.0 |
2.0 |
| 16 |
The entrance and halts at the beginning and the end of the test |
6.5 |
7.0 |
6.0 |
1.0 |
| 17 |
Rhythm, energy and elasticity (x4) |
6.6 |
6.9 |
6.3 |
0.6 |
| 18 |
Harmony between rider and horse (x4) |
6.4 |
6.5 |
6.3 |
0.2 |
| 19 |
Choreography. Use of arena. Inventiveness (x4) |
6.6 |
7.2 |
6.8 |
0.6 |
| 20 |
Degree of difficulty. Calculated risks (x4) |
6.6 |
6.9 |
6.7 |
0.3 |
| 21 |
Music and interpretation of the music (x4) |
6.5 |
7.0 |
7.0 |
0.5 |
|
| 9. |
502 |
FURST DIOR |
Inès RENEAU |
 |
51.125 % (9.) |
60.925 % (9.) |
51.375 % (9.) |
54.475 %
|
| Num |
Figure |
H
51.125
|
C
60.925
|
B
51.375
|
diff
|
| 1 |
Collected walk (minimum 20 m) |
6.5 |
6.5 |
5.5 |
1.0 |
| 2 |
Half pirouette in collected walk to the right and/or to the left |
6.5 |
7.0 |
6.5 |
0.5 |
| 3 |
Extended walk (minimum 20 m) |
4.0 |
5.0 |
5.0 |
1.0 |
| 4 |
Collected trot |
5.0 |
6.0 |
5.5 |
1.0 |
| 5 |
Shoulder-in right (collected trot) (minimum 12 m) |
5.5 |
6.0 |
5.5 |
0.5 |
| 6 |
Shoulder-in left (collected trot) (minimum 12 m) |
5.5 |
6.0 |
5.5 |
0.5 |
| 7 |
Half-pass right (collected trot) (x2) |
5.5 |
6.5 |
6.0 |
1.0 |
| 8 |
Half-pass left (collected trot) (x2) |
3.5 |
6.5 |
6.0 |
3.0 |
| 9 |
Extended trot |
3.5 |
3.5 |
2.0 |
1.5 |
| 10 |
Collected canter |
5.0 |
6.0 |
5.0 |
1.0 |
| 11 |
Half-pass right (collected canter) |
6.0 |
6.0 |
6.0 |
0.0 |
| 12 |
Half-pass left (collected canter) |
4.0 |
6.0 |
5.5 |
2.0 |
| 13 |
Flying change to the right (x2) |
5.0 |
5.0 |
5.5 |
0.5 |
| 14 |
Flying change to the left (x2) |
5.0 |
5.0 |
3.5 |
1.5 |
| 15 |
Extended canter |
6.5 |
5.5 |
6.0 |
1.0 |
| 16 |
The entrance and halts at the beginning and the end of the test |
6.5 |
7.0 |
5.5 |
1.5 |
| 17 |
Rhythm, energy and elasticity (x4) |
6.0 |
6.5 |
5.0 |
1.5 |
| 18 |
Harmony between rider and horse (x4) |
4.0 |
6.0 |
4.0 |
2.0 |
| 19 |
Choreography. Use of arena. Inventiveness (x4) |
5.0 |
6.5 |
5.0 |
1.5 |
| 20 |
Degree of difficulty. Calculated risks (x4) |
5.0 |
6.0 |
5.0 |
1.0 |
| 21 |
Music and interpretation of the music (x4) |
5.5 |
6.8 |
6.0 |
1.3 |
|